A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it.
The word pastiche is a French cognate of the Italian noun pasticcio, which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, pastiche and pasticcio describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art.
Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality.
Dionysian imitatio
In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is usually respectful. The word implies a lack of originality or coherence, an imitative jumble, but with the advent of postmodernism, pastiche has become positively construed as deliberate, witty homage or playful imitation.
For example, many stories featuring Sherlock Holmes, originally penned by Arthur Conan Doyle, have been written as pastiches since the author's time. Ellery Queen and Nero Wolfe are other popular subjects of mystery parodies and pastiches.
A similar example of pastiche is the posthumous continuations of the Robert E. Howard stories, written by other writers without Howard's authorization. This includes the Conan the Barbarian stories of L. Sprague de Camp and Lin Carter.
David Lodge's novel The British Museum Is Falling Down (1965) is a pastiche of works by Joyce, Kafka, and Virginia Woolf. In 1991 Alexandra Ripley wrote the novel Scarlett, a pastiche of Gone with the Wind, in an unsuccessful attempt to have it recognized as a canonical sequel.
In 2017, John Banville published Mrs.