Concept

Pierre Redon

Pierre Redon is a French avant-garde music composer and transdisciplinary artist. He is also an author, musician, producer, photographer, filmmaker, known for Marche Sonore and founder of the multimedia studio Les Soeurs Grées. From 2003 onwards, through the practice of field recording, sound in landscape becomes a central axis of his art, and he brings into play the relationship to the landscape, which he defines as a border; a state of awareness of the sensory relationship to the environment. His work opens up to plastic art installations, drawing art, documentary film, image, with walking progressively integrated as a corporal and sensory approach to places. Pierre Redon is notably the creator of the Marches Sonores, a composite project that weaves the words of the inhabitants together with sound and cartography. Equipped with a sound player, walkers experience a new and augmented perception of places through the accompanying presence of the artwork. This art form was designed and implemented for the first time at the Markstein in the Vosges, France, with partners concerned about environmental issues and eager to experiment new aesthetics building processes. The maps accompanying the Marches Sonores are unique in their ability to challenge our sense of direction, but visually, they also give a sensory and critical representation of the territory. In 2016, Redon inaugurated a monumental creation spanning five years of work. The Sounds from Beyond (Les Sons des Confins) comprises a series of 8 Marches Sonores over more than 600 kilometers, from the source of the Vienne river, following this river's bed all the way to the estuary of the Loire River. This creation, which brings together several partners, is part of a public art commission from the French Ministry of Culture and Communication This commission stands out as an exemplary project with the C.N.A.P. (French national center for plastic arts) by offering a new perspective on art in public spaces through an immaterial art form, sound art.

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