A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use in order to produce a rhetorical effect. Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.
An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as something that it clearly is not in order to lead the mind to compare them, in "All the world's a stage."
Rhetorical operations
Classical rhetoricians classified figures of speech into four categories or quadripita ratio:
addition (adiectio), also called repetition/expansion/superabundance
omission (detractio), also called subtraction/abridgement/lack
transposition (transmutatio), also called transferring
permutation (immutatio), also called switching/interchange/substitution/transmutation
These categories are often still used. The earliest known text listing them, though not explicitly as a system, is the Rhetorica ad Herennium, of unknown authorship, where they are called πλεονασμός (pleonasmos—addition), ἔνδεια (endeia—omission), μετάθεσις (metathesis—transposition) andἐναλλαγή (enallage—permutation). Quintillian then mentioned them in Institutio Oratoria. Philo of Alexandria also listed them as addition (πρόσθεσις—prosthesis), subtraction (ἀφαίρεσις—afairesis), transposition (μετάθεσις—metathesis), and transmutation (ἀλλοίωσις—alloiosis).
Figures of speech come in many varieties. The aim is to use the language inventively to accentuate the effect of what is being said. A few examples follow:
"Round and round the rugged rocks the ragged rascal ran" is an example of alliteration, where the consonant r is used repeatedly.
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The aim of the course is to improve the students communication skills. They will learn to summarize the methodology and conclusions of their thesis in 180 seconds and communicate clearly, accurately,
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. They seek to make a position or argument more compelling than it would otherwise be. Sonic devices depend on sound.
Rhetoric (ˈrɛtərɪk) is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics".
A simile (ˈsɪməli) is a figure of speech that directly compares two things. Similes differ from metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while metaphors create an implicit comparison (i.e. saying something "is" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word similis ("similar, like"), while metaphor derives from the Greek word metapherein ("to transfer").
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This laconic discourse uses the Aristotelian authority to define the role of the analogical procedure in the government of the architectural composition. Respecting its ambiguous balance between mathematical method and attitude of the imagination, analogy ...