Hyakunin Isshu is a classical Japanese anthology of one hundred Japanese waka by one hundred poets. Hyakunin isshu can be translated to "one hundred people, one poem [each]"; it can also refer to the card game of uta-garuta, which uses a deck composed of cards based on the Hyakunin Isshu.
The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as Ogura Hyakunin Isshu.
One of Teika's diaries, the Meigetsuki, says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of Ogura Hyakunin Isshu. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets.
Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designed prints for a full-color edition published in 1775.
In his own lifetime, Teika was better known for other work. For example, in 1200 (Shōji 2), he prepared another anthology of one hundred poems for ex-Emperor Go-Toba, called the Shōji Hyakushu.
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Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is yamato-uta. The word waka has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as chōka and sedōka (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre.
, better-known as Fujiwara no Teika (1162 – September 26, 1241), was a Japanese anthologist, calligrapher, literary critic, novelist, poet, and scribe of the late Heian and early Kamakura periods. His influence was enormous, and he is counted as among the greatest of Japanese poets, and perhaps the greatest master of the waka form – an ancient poetic form consisting of five lines with a total of 31 syllables. Teika's critical ideas on composing poetry were extremely influential and studied until as late as the Meiji era.