Summary
In semantics, mathematical logic and related disciplines, the principle of compositionality is the principle that the meaning of a complex expression is determined by the meanings of its constituent expressions and the rules used to combine them. The principle is also called Frege's principle, because Gottlob Frege is widely credited for the first modern formulation of it. However, the principle has never been explicitly stated by Frege, and arguably it was already assumed by George Boole decades before Frege's work. The principle of compositionality is highly debated in linguistics. Among its most challenging problems there are the issues of contextuality, the non-compositionality of idiomatic expressions, and the non-compositionality of quotations. Discussion of compositionality started to appear at the beginning of the 19th century, during which it was debated whether what was most fundamental in language was compositionality or contextuality, and compositionality was usually preferred. Frege (1848-1925) never adhered to the principle of compositionality as it is known today, and the first to explicitly formulate it was Freges' student Rudolf Carnap in 1947. A common formulation of the principle of compositionality comes from Barbara Partee, stating: "The meaning of a compound expression is a function of the meanings of its parts and of the way they are syntactically combined." It is possible to distinguish different levels of compositionality. Strong compositionality refers to compound expressions that are determined by the meaning of its immediate parts and a top-level syntactic function that describes their combination. Weak compositionality refers to compound expressions that are determined by the meaning of its parts as well as their complete syntactic combination. However, there can also be further gradations in between these two extremes. This is possible, if one not only allows the meaning of immediate parts but also the meaning of the second-highest parts (third-highest parts, fourth-highest parts, etc.
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