YoshiwaraYoshiwara was a famous yūkaku (red-light district) in Edo, present-day Tokyo, Japan. Established in 1617, Yoshiwara was one of three licensed and well-known red-light districts created during the early 17th century by the Tokugawa shogunate, alongside Shimabara in Kyoto in 1640 and Shinmachi in Osaka. Created by the shogunate to curtail the tastes of and sequester the nouveau riche chōnin (merchant) classes, the entertainment offered in Yoshiwara, alongside other licensed districts, would eventually give rise to the creation of geisha, who would become known as the fashionable companions of the chōnin classes and simultaneously cause the demise of oiran, the upper-class courtesans of the red-light districts.
Chōnin町人 was a social class that emerged in Japan during the early years of the Tokugawa period. In the social hierarchy, it was considered subordinate to the samurai warrior class. The chōnin emerged in joka-machi or castle towns during the sixteenth century. The majority of chōnin were merchants, but some were craftsmen. 農民 were not considered chōnin. Later, peasants, servants, and workers were also considered members of the social class.
Edo societyEdo society refers to the society of Japan under the rule of the Tokugawa Shogunate during the Edo period from 1603 to 1868. Edo society was a feudal society with strict social stratification, customs, and regulations intended to promote political stability. Japanese people were assigned into a hierarchy of social classes based on the Four Occupations that were hereditary. The Emperor of Japan and the kuge were the official ruling class of Japan but had no power.
HiroshigeUtagawa Hiroshige (ˌhɪərəʊˈʃiːɡeɪ, also USˌhɪərəˈ-; 歌川 広重 ɯtaɡawa çiɾoꜜɕiɡe), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868).
Hokusai, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series Thirty-Six Views of Mount Fuji, which includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals.
KugeThe 公家 was a Japanese aristocratic class that dominated the Japanese Imperial Court in Kyoto. The kuge were important from the establishment of Kyoto as the capital during the Heian period in the late 8th century until the rise of the Kamakura shogunate in the 12th century, at which point it was eclipsed by the bushi. The kuge still provided a weak court around the Emperor until the Meiji Restoration, when they merged with the daimyō, regaining some of their status in the process, and formed the kazoku (peerage), which lasted until shortly after World War II (1947), when the Japanese peerage system was abolished.
Black ShipsThe Black Ships (in 黒船, Edo period term) was the name given to Western vessels arriving in Japan in the 16th and 19th centuries. In 1543 Portuguese initiated the first contacts, establishing a trade route linking Goa to Nagasaki. The large carracks engaged in this trade had the hull painted black with pitch, and the term came to represent all Western vessels. In 1639, after suppressing a rebellion blamed on the influence of Christian thought, the ruling Tokugawa shogunate retreated into an isolationist policy, the Sakoku.
