A graphic novel is a long-form, fictional work of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks (see American comic book).
Fan historian Richard Kyle coined the term graphic novel in an essay in the November 1964 issue of the comics fanzine Capa-Alpha. The term gained popularity in the comics community after the publication of Will Eisner's A Contract with God (1978) and the start of the Marvel Graphic Novel line (1982) and became familiar to the public in the late 1980s after the commercial successes of the first volume of Art Spiegelman's Maus in 1986, the collected editions of Frank Miller's The Dark Knight Returns in 1986 and Alan Moore and Dave Gibbons' Watchmen in 1987. The Book Industry Study Group began using graphic novel as a category in book stores in 2001.
The term is not strictly defined, though Merriam-Webster's dictionary definition is "a fictional story that is presented in comic-strip format and published as a book". Collections of comic books that do not form a continuous story, anthologies or collections of loosely related pieces, and even non-fiction are stocked by libraries and bookstores as graphic novels (similar to the manner in which dramatic stories are included in "comic" books). The term is also sometimes used to distinguish between works created as standalone stories, in contrast to collections or compilations of a story arc from a comic book series published in book form.
In continental Europe, both original book-length stories such as The Ballad of the Salty Sea (1967) by Hugo Pratt or La rivolta dei racchi (1967) by Guido Buzzelli, and collections of comics have been commonly published in hardcover volumes, often called albums, since the end of the 19th century (including such later Franco-Belgian comics series as The Adventures of Tintin in the 1930s).
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Le cours vise à faire découvrir les bases du design graphique, ses enjeux, ses différents domaines d'application, ses techniques et ses conventions. Il s'agit d'un enseignement pratique qui repose sur
Le cours vise à faire découvrir les bases du design graphique, ses enjeux, ses différents domaines d'application, ses techniques et ses conventions. Il s'agit d'un enseignement pratique qui repose sur
Le cours vise à faire découvrir les bases du design graphique, ses enjeux, ses différents domaines d'application, ses techniques et ses conventions. Il s'agit d'un enseignement pratique qui repose sur
Jouxtant la gare de Renens, le quartier d’Epenex est enclavé entre les différentes infrastructures ferroviaires et autoroutières. A ces barrières s’ajoutent des haies, des murs, des barricades qui renforcent sa fermeture. De plus, une grande partie des acc ...
Gilles Deleuze was used to say that philosophers are creators of concepts, extracted by a continuous flux of thinking (Deleuze 1980). These concepts, during a period of intense exchange between disciplines in the 20th century, have not been limited to phil ...
An American comic book is a thin periodical originating in the United States, on average 32 pages, containing comics. While the form originated in 1933, American comic books first gained popularity after the 1938 publication of Action Comics, which included the debut of the superhero Superman. This was followed by a superhero boom that lasted until the end of World War II. After the war, while superheroes were marginalized, the comic book industry rapidly expanded and genres such as horror, crime, science fiction and romance became popular.
Stan Lee (born Stanley Martin Lieber ˈliːbər; December 28, 1922 – November 12, 2018) was an American comic book writer, editor, publisher, and producer. He rose through the ranks of a family-run business called Timely Comics which would later become Marvel Comics. He was the primary creative leader for two decades, leading its expansion from a small division of a publishing house to a multimedia corporation that dominated the comics and film industries.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s. Robert Crumb, Gilbert Shelton, Barbara "Willy" Mendes, Trina Robbins and numerous other cartoonists created underground titles that were popular with readers within the counterculture scene.
In this work, we use network analysis methods to sketch a typology of fiction novels based on characters and their proximity in the narration. We construct character networks modelling the twenty novels composing Les Rougon-Macquart, written by Émile Zola. ...