Concept

D-beat

Summary
D-beat (also known as Discore, kängpunk, Discrust, and crust-beat) is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem, and Disfear. One of the earliest example of D-beat can be found in the Buzzcocks' song "You Tear Me Up," on their debut LP, Another Music In A Different Kitchen. It featured a fast, intense drumbeat which Discharge would later emulate in the distinctive drumbeat of D-beat. Discharge formed in 1977 in Stoke-on-Trent, England, initially playing a basic variety of street punk inspired by the Sex Pistols and The Clash. In 1979, the group changed its line-up and began to develop a new, more aggressive style. At this time Terry "Tez" Roberts of Discharge developed their characteristic drum beat, for which the D-beat subgenre is named. Roberts commented in 2004 that "I just wanna be remembered for coming up with that f-ckin' D-beat in the first place! And inspiring all those f-ckin' great Discore bands around the world!" Discharge's inspiration for the style has led it to be referred to as "Discore". Roberts' beat is similar to the basic percussive backbone of songs by Motörhead, and many subsequent groups borrow from this group a great deal as well as Discharge.
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Related concepts (11)
Post-punk
Post-punk (originally called new musick) is a broad genre of rock music that emerged in the late 1970s in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature.
Discharge (band)
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat. The band is characterized by a minimalistic approach to music and lyrics, using a heavy, distorted and grinding guitar-driven sound and raw, shouted vocals similar to a political speech, with lyrics on anarchist and pacifist themes, over intense drone-like rhythms.
Crust punk
Crust punk (also known as crust or stenchcore) is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo. Crust is partly defined by its "bassy" and "dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually raspy screams, but can also be grunted/growled.
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