Roman art | EPFL Graph Search

The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in terra sigillata were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of propaganda, and have survived in enormous numbers. While the traditional view of the ancient Roman artists is that they often borrowed from, and copied Greek precedents (much of the Greek sculptures known today are in the form of Roman marble copies), more of recent analysis has indicated that Roman art is a highly creative pastiche relying heavily on Greek models but also encompassing Etruscan, native Italic, and even Egyptian visual culture. Stylistic eclecticism and practical application are the hallmarks of much Roman art. Pliny, Ancient Rome's most important historian concerning the arts, recorded that nearly all the forms of art – sculpture, landscape, portrait painting, even genre painting – were advanced in Greek times, and in some cases, more advanced than in Rome. Though very little remains of Greek wall art and portraiture, certainly Greek sculpture and vase painting bears this out. These forms were not likely surpassed by Roman artists in fineness of design or execution. As another example of the lost "Golden Age", he singled out Peiraikos, "whose artistry is surpassed by only a very few .

Architecture Without Content 11: Roman Architecture

Dries Rodet, Giovanni Piovene Porto Godi, Kersten Geers, Andrea Zanderigo, Jelena Pancevac

This book presents the first part of an investigation in the possibility of a universal territorial architecture with a radically simple materiality. Essentially, our contemporary iteration of the Roman project is a negotiation of the European territory th ...

2015

Transforming architectures inspired by origami

Pedro Miguel Nunes Pereira de Almeida Reis

Paper folding is found across cultures for both aesthetic and functional purposes, with its most widely recognized exponent being the ancient art form of origami. More recently, there has been an upsurge of interest for translating origami designs into mat ...

2015