ScansionScansion (ˈskæn.ʃən , rhymes with mansion; verb: to scan), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different lengths of each syllable. In English poetry, they are based on the different levels of stress placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem.
Foot (prosody)The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation.
Dactyl (poetry)A dactyl (ˈdæktɪl; δάκτυλος, dáktylos, “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable).
Tribrach (poetry)A tribrach is a metrical foot used in formal poetry and Greek and Latin verse. In quantitative meter (such as the meter of classical verse), it consists of three short syllables; in accentual-syllabic verse (such as formal English verse), the tribrach consists of a run of three short syllables substituted for a trochee. A "tribrach word" is a word consisting of three short syllables, such as Latin nitida "shining" or Greek ἔχετε "you have". An English equivalent would be a word with three short syllables such as Canada or passenger.
TrocheeIn English poetic metre and modern linguistics, a trochee (ˈtroʊkiː) is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word íbī "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee.
IsochronyIsochrony is the postulated rhythmic division of time into equal portions by a language. Rhythm is an aspect of prosody, others being intonation, stress, and tempo of speech. Three alternative ways in which a language can divide time are postulated: The duration of every syllable is equal (syllable-timed); The duration of every mora is equal (mora-timed). The interval between two stressed syllables is equal (stress-timed). The idea was first expressed thus by Kenneth L.
Iambic tetrameterIambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of a rhythm, iambic tetrameter consists of four metra, each metron being of the form | x – u – |, consisting of a spondee and an iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is: | x – u – | x – u – || x – u – || x – u – | ("x" is a syllable that can be long or short, "–" is a long syllable, and "u" is a short one.) In modern English poetry, it refers to a line consisting of four iambic feet.
Iamb (poetry)An iamb (ˈaɪæm ) or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in καλή () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in abóve).
AnapaestAn anapaest (ˈænəpiːst,_-pɛst; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek ἀνάπαιστος, anápaistos, literally "struck back" and in a poetic context "a dactyl reversed".
SpondeeA spondee (Latin: spondeus) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek σπονδή, spondḗ, 'libation'. Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: Ζεῦ πάντων ἀρχά, πάντων ἀγήτωρ, Ζεῦ, σοὶ σπένδω ταύτᾱν ὕμνων ἀρχάν.
