Stalinist architectureStalinist architecture, mostly known in the former Eastern Bloc as Stalinist style (Сталинский стиль) or Socialist Classicism, is the architecture of the Soviet Union under the leadership of Joseph Stalin, between 1933 (when Boris Iofan's draft for the Palace of the Soviets was officially approved) and 1955 (when Nikita Khrushchev condemned "excesses" of the past decades and disbanded the Soviet Academy of Architecture). Stalinist architecture is associated with the Socialist realism school of art and architecture.
Constructivist architectureConstructivist architecture was a constructivist style of modern architecture that flourished in the Soviet Union in the 1920s and early 1930s. Abstract and austere, the movement aimed to reflect modern industrial society and urban space, while rejecting decorative stylization in favor of the industrial assemblage of materials. Designs combined advanced technology and engineering with an avowedly communist social purpose. Although it was divided into several competing factions, the movement produced many pioneering projects and finished buildings, before falling out of favour around 1932.
PostconstructivismPostconstructivism was a transitional architectural style that existed in the Soviet Union in the 1930s, typical of early Stalinist architecture before World War II. The term postconstructivism was coined by Selim Khan-Magomedov, a historian of architecture, to describe the product of avant-garde artists' migration to Stalinist neoclassicism. Khan-Magomedov identified postconstructivism with 1932–1936, but the long construction time and vast size of the country extended the period to 1941.
Vesnin brothersThe Vesnin brothers: Leonid Vesnin (1880–1933), Victor Vesnin (1882–1950) and Alexander Vesnin (1883–1959) were the leaders of Constructivist architecture, the dominant architectural school of the Soviet Union in the 1920s and early 1930s. Exact estimation of each brother's individual input to their collaborative works remains a matter of dispute and conjecture; nevertheless, historians noted the leading role of Alexander Vesnin in the early constructivist drafts by the Vesnin brothers between 1923 and 1925.
Architecture of RussiaThe architecture of Russia refers to the architecture of modern Russia as well as the architecture of both the original Kievan Rus', the Russian principalities, and Imperial Russia. Due to the geographical size of modern and Imperial Russia, it typically refers to architecture built in European Russia, as well as European influenced architecture in the conquered territories of the Empire. The vernacular architecture stems from wooden construction traditions, and monumental masonry construction started to appear during the Kievan Rus’ era in what is now modern Ukraine.
Modern architectureModern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament. It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.
Saint PetersburgSaint Petersburg, formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991; see below), is the second-largest city in Russia after Moscow. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea. The city had a population of roughly 5.6 million residents as of 2021. Saint Petersburg is the fourth-most populous city in Europe, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents.
NeoclassicismNeoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread across Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals.