Japanese aestheticsJapanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life.
Japanese literatureJapanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or Chinese writing, a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original kokufū culture (national culture) developed and literature also established its own style, with the significant usage and development of kana to write Japanese literature.
Japanese peopleare an East Asian ethnic group native to the Japanese archipelago. Japanese people constitute 97.6% of the population of the country of Japan. Worldwide, approximately 126 million people are of Japanese descent, making them one of the largest ethnic groups. Approximately 122.0 million Japanese people are residents of Japan, and there are approximately 4 million members of the Japanese diaspora, known as 日系人.
TendaiTendai, also known as the Tendai Lotus School (天台法華宗 Tendai hokke shū, sometimes just "hokke shū") is a Mahāyāna Buddhist tradition (with significant esoteric elements) officially established in Japan in 806 by the Japanese monk Saichō (posthumously known as Dengyō Daishi). The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794-1185). It gradually eclipsed the powerful Hossō school and competed with the rival Shingon school to become the most influential sect at the Imperial court.
Man'yōshūThe maɰ̃joꜜːɕɯː; literally "Collection of Ten Thousand Leaves" is the oldest extant collection of Japanese waka (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( () 4516).
