Concept
Jiangnan
Related concepts (24)
Shunzhi Emperor
The Shunzhi Emperor (Fulin; 15 March 1638 – 5 February 1661) was the second emperor of the Qing dynasty of China, and the first Qing emperor to rule over China proper, reigning from 1644 to 1661. A committee of Manchu princes chose him to succeed his father, Hong Taiji (1592–1643), in September 1643, when he was five years old. The princes also appointed two co-regents: Dorgon (1612–1650), the 14th son of the Qing dynasty's founder Nurhaci (1559–1626), and Jirgalang (1599–1655), one of Nurhaci's nephews, both of whom were members of the Qing imperial clan.
Zhuge Liang
Zhuge Liang () (181 – September or October 234), also commonly known by his courtesy name Kongming, was a Chinese statesman, strategist, and engineer who lived through the end of the Eastern Han dynasty ( 184–220) and the early to mid-Three Kingdoms period (220–280) of China. During the Three Kingdoms period, he served as the Imperial Chancellor (or Prime Minister) of the state of Shu Han (221–263) from its founding in 221 and later as regent from 223 until his death in September or October 234.
Dorgon
Dorgon (, badger; 17 November 1612 – 31 December 1650), was a Manchu prince and regent of the early Qing dynasty. Born in the House of Aisin-Gioro as the 14th son of Nurhaci (the founder of the Later Jin dynasty, predecessor of the Qing dynasty), Dorgon started his career in military campaigns against the Ming dynasty, Mongols and Koreans during the reign of his eighth brother, Hong Taiji, who succeeded their father. After Hong Taiji's death in 1643, he was involved in a power struggle against Hong Taiji's eldest son, Hooge, over the succession to the throne.
Chinese garden
The Chinese garden is a landscape garden style which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the imperial family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world. They create an idealized miniature landscape, which is meant to express the harmony that should exist between man and nature.