Concept
Film genre
Related concepts (38)
Monster movie
A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature. Typically, movie monsters differ from more traditional antagonists in that many exist due to circumstances beyond their control; their actions are not entirely based on choice, potentially making them objects of sympathy to film viewers.
Tech noir
Tech-noir (also known as cyber noir, future noir and science fiction noir) is a hybrid genre of fiction, particularly film, combining film noir and science fiction, epitomized by Ridley Scott's Blade Runner (1982) and James Cameron's The Terminator (1984). The tech-noir presents "technology as a destructive and dystopian force that threatens every aspect of our reality". Cameron coined the term in The Terminator, using it as the name of a nightclub, but also to invoke associations with both the film noir genre and with futuristic sci-fi.
Genre studies
Genre studies is an academic subject which studies genre theory as a branch of general critical theory in several different fields, including art, literature, linguistics, rhetoric and composition studies. Literary genre studies is a structuralist approach to the study of genre and genre theory in literary theory, film theory, and other cultural theories. The study of a genre in this way examines the structural elements that combine in the telling of a story and finds patterns in collections of stories.
Samurai cinema
Chanbara, also commonly spelled "chambara", meaning "sword fighting" films, denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. Chanbara is a sub-category of jidaigeki, which equates to period drama. Jidaigeki may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters.
Cinephilia
Cinephilia (ˌsɪnɪˈfɪliə; also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile (ˈsɪnɪfaɪl), cinemaphile, filmophile, or, informally, a film buff (also movie buff). To a cinephile, a film is often not just a source of entertainment as they see films from a more critical point of view.
Neo-noir
Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the United Statesroughly from 1940 to 1960. The French term, film noir, translates literally to English as "dark film", because they were quite dark both in lighting, but also indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements.
Film criticism
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: journalistic criticism that appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre or in the whole of film history.
Casablanca (film)
Casablanca is a 1942 American romantic drama film directed by Michael Curtiz, and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatriate (Bogart) who must choose between his love for a woman (Bergman) and helping her husband (Henreid), a Czechoslovak resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the Germans. The screenplay is based on Everybody Comes to Rick's, an unproduced stage play by Murray Burnett and Joan Alison.