Concept

New Galilee, Pennsylvania

Summary
New Galilee is a borough in northern Beaver County, Pennsylvania, United States. The population was 331 at the 2020 census. It is a part of the Pittsburgh metropolitan area. The first written records tell of the coming, by horseback and on foot, of white settlers to the vicinity about 1800. A large proportion of these were young married couples from eastern Pennsylvania, Virginia, and the north of Ireland. Something not generally known is that slavery once existed in Beaver County. In 1800 there were four slaves; in 1810 there were eight; in 1820 there were, five and in 1830 none: all having been liberated by law. In 1808 the state conveyed to Joseph Chapman a tract of land consisting of 386 acres. The plot was known as Chapman's Hall and was so named in the deed. Chapman later sold his land to James Nicholson, who came and brought from the south three colored slaves, Pompey Frazier, Tamer Frazier and Betty Mathers. Mr. and Mrs. Nicholson by deed dated May 6, 1819, conveyed to these three servants, who had so faithfully served them, the farm on which they resided. The deed, however, not to be in effect while either Mr. or Mrs. Nicholson lived. Ten years after the date of the deed Mr. Nicholson died. Shortly after Tamer Frazier also died. Pompey Frazier and Betty Mathers continued to live with Mrs. Nicholson until her death, when they became the owners of the farm. Pompey Frazier died without offspring and Betty Mathers became sole possessor of the property. Meanwhile, she had married Henry Jordan, a fiddler, in 1840 and had several sons and daughters. She sold the land and upon it the greater part of New Galilee has been built. Betty Mathers Jordan died in 1872. The stream which flows through New Galilee is named for the Jordan family "Jordan's Run". . The original homestead of Betty Mathers and her husband Henry Jordan was located at 709 Washington Avenue, next to the post office. ..[5] This location is now the museum of the New Galilee Historical Society and residence of the curator William Bittner.
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