SeascapeA seascape is a photograph, painting, or other work of art which depicts the sea, in other words an example of marine art. The word originated as a formation from landscape, which was first used of images of land in art. By a similar development, "seascape" has also come to mean actual perceptions of the sea itself. It is applied in planning contexts to geographical locations possessing a good view of the sea. Seascape aesthetics receive legal protection in terms of biodiversity/ health of the seas (the OSPAR Convention), and in terms of the visual bio-cultural seascape (European Landscape Convention).
StaffageIn painting, staffage (stafaʒ) are the human and animal figures depicted in a scene, especially a landscape, that are not the primary subject matter of the work. Typically they are small, and there to add an indication of scale and add interest. Before the adoption of the word into the visual arts in the late eighteenth and early nineteenth centuries, Staffage in German could mean "accessories" or "decoration".
English landscape gardenThe English landscape garden, also called English landscape park or simply the English garden (Jardin à l'anglaise, Giardino all'inglese, Englischer Landschaftsgarten, Jardim inglês, Jardín inglés), is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature.
VedutaA veduta (Italian for "view"; plural vedute) is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti. This genre of landscape originated in Flanders, where artists such as Paul Bril painted vedute as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class.
Southern SchoolThe Southern School () of Chinese painting, often called "literati painting" (), is a term used to denote art and artists which stand in opposition to the formal Northern School () of painting. The distinction is not geographic, but relates to the style and contents of the works, and to some extent to the position of the artist. Typically, where professional, formal painters were classified as Northern School, scholar-bureaucrats who had either retired from the professional world or who were never a part of it constituted the Southern School.
PicturesquePicturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century.
Chinese gardenThe Chinese garden is a landscape garden style which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the imperial family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world. They create an idealized miniature landscape, which is meant to express the harmony that should exist between man and nature.
Korean paintingKorean painting () includes paintings made in Korea or by overseas Koreans on all surfaces. The earliest surviving Korean paintings are murals in the Goguryeo tombs, of which considerable numbers survive, the oldest from some 2,000 years ago (mostly now in North Korea), with varied scenes including dancers, hunting and spirits. It has been hypothesized the Takamatsuzuka Tomb in Japan, from the 7th-century end of the Goguryeo period, has paintings with Goguryeo influence, either done by Goguryeo artists, or Japanese one trained by Goguryeo people.
Merry companyMerry company is the term in art history for a painting, usually from the 17th century, showing a small group of people enjoying themselves, usually seated with drinks, and often music-making. These scenes are a very common type of genre painting of the Dutch Golden Age and Flemish Baroque; it is estimated that nearly two thirds of Dutch genre scenes show people drinking. The term is the usual translation of the Dutch geselschapje, or vrolijk gezelschap, and is capitalized when used as a title for a work, and sometimes as a term for the type.
Cloudscape (art)In art, a cloudscape is the depiction of a view of clouds or the sky. Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective). The terms cloudscape and skyscape are sometimes used interchangeably, although a skyscape does not necessarily require a view of clouds. A highly complex cloudscape—as in some works of J.
