Ronald Colman

Ronald Charles Colman (9 February 1891 – 19 May 1958) was an English-born actor, starting his career in theatre and silent film in his native country, then immigrating to the United States and having a highly successful Hollywood film career. He starred in silent films and successfully transitioned to sound, aided by a distinctive, pleasing voice. He was most popular during the 1920s, 1930s and 1940s. He received Oscar nominations for Bulldog Drummond (1929), Condemned (1929) and Random Harvest (1942). Colman starred in several classic films, including A Tale of Two Cities (1935), Lost Horizon (1937) and The Prisoner of Zenda (1937). He also played the starring role in the Technicolor classic Kismet (1944), with Marlene Dietrich, which was nominated for four Academy Awards. In 1947, he won an Academy Award for Best Actor and Golden Globe Award for Best Actor for the film A Double Life. Colman was an inaugural recipient of a star on the Hollywood Walk of Fame for his work in motion pictures. He was awarded a second star for his television work. Ronald Charles Colman was born in Richmond, Surrey, England, the third son (his eldest brother died in infancy in 1882) and fifth child of Charles Colman, a silk merchant, and his wife Marjory Read Fraser. His surviving siblings were Gladys, Edith, Eric and Freda. He was educated at boarding school in Littlehampton, where he discovered that he enjoyed acting, despite his shyness. He intended to study engineering at Cambridge, but his father's sudden death from pneumonia in 1907 made it financially impossible. He became a well-known amateur actor, and was a member of the West Middlesex Dramatic Society in 1908–09. He made his first appearance on the professional stage in 1914. While working as a clerk at the British Steamship Company in the City of London, he joined the London Scottish Regiment in 1909 as a Territorial Force soldier. At the outbreak of the First World War, he was mobilised, and sent to France in September 1914.

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Ronald Colman

Cinema of the United States

The cinema of the United States, consisting mainly of major film studios (also known metonymously as Hollywood) along with some independent films, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1910 to 1962 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry.