Magic realism

Magic realism or magical realism is a style of literary fiction and art. It paints a realistic view of the world while also adding magical elements, often blurring the lines between fantasy and reality. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy. The term magic realism is broadly descriptive rather than critically rigorous, and Matthew Strecher (1999) defines it as "what happens when a highly detailed, realistic setting is invaded by something too strange to believe." The term and its wide definition can often become confused, as many writers are categorized as magical realists. The term was influenced by a German and Italian painting style of the 1920s which were given the same name. In The Art of Fiction, British novelist and critic David Lodge defines magic realism: "when marvellous and impossible events occur in what otherwise purports to be a realistic narrative—is an effect especially associated with contemporary Latin American fiction (for example the work of the Colombian novelist Gabriel García Márquez) but it is also encountered in novels from other continents, such as those of Günter Grass, Salman Rushdie and Milan Kundera. All these writers have lived through great historical convulsions and wrenching personal upheavals, which they feel they cannot be adequately represented in a discourse of undisturbed realism", citing Kundera's 1979 novel The Book of Laughter and Forgetting as an exemplar.

About this result

This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.

Related publications (1)

Related concepts (33)

Related courses (2)

Related lectures (10)

Novel

A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The English word to describe such a work derives from the novella for "new", "news", or "short story of something new", itself from the novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian Renaissance novella.

Western painting

The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor. Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy.

Magic realism

Generating Smooth Pose Sequences for Diverse Human Motion Prediction

Mathieu Salzmann, Wei Mao

Recent progress in stochastic motion prediction, i.e., predicting multiple possible future human motions given a single past pose sequence, has led to producing truly diverse future motions and even providing control over the motion of some body parts. However, to achieve this, the state-of-the-art method requires learning several mappings for diversity and a dedicated model for controllable motion prediction. In this paper, we introduce a unified deep generative network for both diverse and controllable motion prediction. To this end, we leverage the intuition that realistic human motions consist of smooth sequences of valid poses, and that, given limited data, learning a pose prior is much more tractable than a motion one. We therefore design a generator that predicts the motion of different body parts sequentially, and introduce a normalizing flow based pose prior, together with a joint angle loss, to achieve motion realism. Our experiments on two standard benchmark datasets, Human3.6M and HumanEva-I, demonstrate that our approach outperforms the state-of-the-art baselines in terms of both sample diversity and accuracy. The code is available at https://github.com/wei-mao-2019/gsps

IEEE2021

L'enseignement propose une introduction à l'histoire de l'art contemporain du XIXe au XXIe siècles, permettant d'aborder les oeuvres selon une approche esthétique et sociale

L'enseignement propose une introduction à l'histoire de l'art contemporain du XIXe au XXIe siècle, permettant d'aborder les oeuvres selon une approche esthétique et sociale.

Courbet and Realism Workshop HUM-394: Manufacturing artistic identities from the 19th to the 21st centuries

Delves into Gustave Courbet's masterpiece 'L'Atelier du peintre', exploring his ambition, artistic process, and the societal context of the 19th century.

Yves Klein and New Realism HUM-321: History of contemporary art

Delves into Yves Klein's innovative approach to art and his significant role in the New Realism movement.

Learning from Las Vegas: Symbolism and Form AR-365: Theory and architectural culture

Explores the forgotten symbolism of architectural form in Las Vegas, emphasizing the significance of A&P parking lots and commercial values, and the need for architects to adapt to diverse needs and social contexts.