Summary
A courtship display is a set of display behaviors in which an animal, usually a male, attempts to attract a mate; the mate exercises choice, so sexual selection acts on the display. These behaviors often include ritualized movement ("dances"), vocalizations, mechanical sound production, or displays of beauty, strength, or agonistic ability. In some species, males will perform ritualized movements to attract females. The male six-plumed bird-of-paradise (Parotia lawesii) exemplifies male courtship display with its ritualized "ballerina dance" and unique occipital and breast feathers that serve to stimulate the female visual system. In Drosophila subobscura, male courtship display is seen through the male's intricate wing scissoring patterns and rapid sidestepping. These stimulations, along with many other factors, result in subsequent copulation or rejection. In other species, males may exhibit courtship displays that serve as both visual and auditory stimulation. For example, the male Anna's hummingbird (Calypte anna) and calliope hummingbird (Stellula calliope) perform two types of courtship displays involving a combination of visual and vocal display—a stationary shuttle display and dive display. When engaging in the stationary shuttle display, the male displays a flared gorget and hovers in front of the female, moving from side to side while rotating his body and tail. The rhythmic movements of the male's wings produce a distinctive buzzing sound. When conducting a dive display, the male typically ascends approximately in the air then abruptly turns and descends in a dive-like fashion. As the male flies over the female, he rotates his body and spreads his tail feathers, which flutter and collide to produce a short, buzzing sound. In addition, some animals attempt to attract females through the construction and decoration of unique structures. This technique can be seen in the satin bowerbird (Ptilonorhynchus violaceus) of Australia, males of which build and decorate nest-like structures called "bowers".
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