Neo-expressionismNeo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials. Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s.
Donald JuddDonald Clarence Judd (June 3, 1928 February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism", and its most important theoretician through such writings as "Specific Objects" (1964).
Formalism (art)In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art.
Minimalism (visual arts)Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s.
Shaped canvasShaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. Alternatively, canvases may be altered by losing their flatness and assuming a three-dimensional surface. Or, they can do both.
Social realismSocial realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. The term is sometimes more narrowly used for an art movement that flourished between the two World Wars as a reaction to the hardships and problems suffered by common people after the Great Crash.
Venice BiennaleThe Venice Biennale (ˌbiːɛˈnɑːleɪ,_-li; La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).
Sam GilliamSam Gilliam ('gIli@m ; November 30, 1933 – June 25, 2022) was an American color field painter and lyrical abstractionist artist. Gilliam was associated with the Washington Color School, a group of Washington, D.C.-area artists that developed a form of abstract art from color field painting in the 1950s and 1960s. His works have also been described as belonging to abstract expressionism and lyrical abstraction. He worked on stretched, draped and wrapped canvas, and added sculptural 3D elements.
Elaine de KooningElaine Marie Catherine de Kooning (də ˈkoːnɪŋ, née Fried; March 12, 1918 – February 1, 1989) was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine. Elaine de Kooning was born Elaine Marie Catherine Fried in 1918 in Flatbush, New York. Later in life she told people she was born in 1920. Her parents were Mary Ellen O'Brien, an Irish Catholic, and Charles Frank Fried, a Protestant of Jewish descent.
Jules OlitskiJevel Demikovski (March 27, 1922 – February 4, 2007), known professionally as Jules Olitski, was an American painter, printmaker, and sculptor. Olitski was born Jevel Demikovsky in Snovsk, in Ukrainian Soviet Socialist Republic (now Chernihiv Oblast, Ukraine), a few months after his father, a commissar, was executed by the Soviet government. He emigrated to the United States in 1923 with his mother and grandmother and settled in Brooklyn. His grandmother cared for him while his mother worked to support the family.