Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound.
Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved
Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East, but the other way round, that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe
Pochette
Violin (violino)
Viola (altviol, bratsche)
Cello (violoncello)
Double bass (contrabasso)
Variants on the standard members of the violin family include
Tenor violin
Five string violin
Cello da spalla
Baroque violin
Kontra
Kit violin
Sardino
Stroh violin
Låtfiol
Hardanger fiddle
Lira da braccio
Octobass
Treble viol (treble viola da gamba)
Alto viol (alto viola da gamba)
Tenor viol (tenor viola da gamba)
Bass viol (bass viola da gamba)
Variants on the standard four members of the viol family include:
Pardessus de viol
Division viol
Lyra viol
Baryton
Violone
Viola d'amore
Lirone
Vihuela de arco
Byzantine lyra
Cretan lyra
Calabrian lira
Gadulka
Lijerica
Ghaychak
Pochette
Rebec
Rabeca
Rebab
Kemenche
Kamancheh
Shah Kaman
Kemençe of the Black Sea
Classical kemençe
Banhu
Daguangxian
Dahu
Dihu
Diyingehu
Erhu
Erxian
Gaohu
Gehu
Huqin
Jiaohu
Jinghu
Jing erhu
Laruan
Leiqin
Matouqin
Maguhu
Sanhu
Sihu
Tiqin
Tihu
Tuhu
Yehu
Yazheng
Xiqin
Zhonghu
Zhuihu
Zhuiqin
Wenzhenqin
Zhengni
The following instruments are sounded by means of a turning wheel that acts as the bow.
Organistrum
Hurdy-gurdy
Donskoy ryley
Dulcigurdy a.k.a. Vielle à roue et à manche
Drejelire
Lira
tekerő
Ninera
Kaisatsuko
Violano Virtuoso
Wheelharp
Viola organista
Harmonichord
Bowed clavier
Masenqo
Violoncello da spalla
Ravanahatha
Ajaeng
Yaylı tambur
Kingri string Instrument
Shichepshin
Đàn nhị
Đàn hồ
Đàn gáo
Sohaegeum
Haegeum
Kokyū
sorud
Chuurqin
Daxophone
Arpeggione
Bowed ps
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced ˈriːbɛk or ˈrɛbɛk) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe.
The rebab (ربابة, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments.
The Byzantine lyra or lira (λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (Museo Nazionale, Florence, Coll. Carrand, No.26).
Some strings instruments, such as guitar or violin, can play the same note using different fingerings. To find out which string has been used, we developed an algorithm that compute the inharmonicity of a given audio sample, and then use it to identify the ...
Synopsis: This project is about using musical recordings of string instruments to determine on which strings notes have been played. It includes the study of the spectral content of the recordings and the development of a robust classifica ...