Chinese spiritual world concepts

Chinese spiritual world concepts are cultural practices or methods found in Chinese culture. Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious overtones. Ancestral worship (拜祖) – A practice to honor the deeds and memories of the deceased. This is an extension to the filial piety from the teachings of Confucius and Laozi. Elders, seniors, extended families and particularly parents are to be respected, heeded and looked after. Respects continue after their deaths. In addition to the Qingming and Chongyang festivals, descendants should pay tribute to ancestors during the Zhongyuanjie, more commonly known as the Ghost Festival ( but ghost festival is on Dongzhi "冬至”) In addition to providing a tombstone or urn cover, descendants are traditionally expected to install an altar (神台) in their home to pay homage regularly each day with joss sticks and tea. The ancestors, including parents and grandparents, are worshipped or venerated as if they are still living. Three Realms (三曹) – the belief that Heaven, the living and the deceased exist side by side; heaven a place for saints or rested souls, hell for the criminous deceased. Three wun seven pak (三魂七魄) explains a person's existence. The three realms is where a person exists, and the seven states are what makes a person exist. The Pumi people, for example, are a supporter of this concept. Jian (間) – The living world where people exist in reality is referred to as Yang Jian (陽間). The underworld where spirits exist after death is regarded as Yin Jian (陰間), though this is not necessarily a negative place such as hell. Fan Tai Sui (犯太歲) – is when an individual faces major obstacles in health, job and studies. The obstacles last for a single Chinese calendar year.

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Related concepts (16)

Chinese fortune telling

Chinese fortune telling, better known as Suan ming () has utilized many varying divination techniques throughout the dynastic periods. There are many methods still in practice in Mainland China, Taiwan, Hong Kong and other Chinese-speaking regions such as Malaysia and Singapore today. Over time, some of these concepts have moved into Korean, Japanese, and Vietnamese culture under other names. For example, "Saju" in Korea is the same as the Chinese four pillar (Chinese: 四柱八字) method.

Chinese theology

Chinese theology, which comes in different interpretations according to the classic texts and the common religion, and specifically Confucian, Taoist, and other philosophical formulations, is fundamentally monistic, that is to say it sees the world and the gods of its phenomena as an organic whole, or cosmos, which continuously emerges from a simple principle. This is expressed by the concept that "all things have one and the same principle" (wànwù yīlǐ 萬物一理).

Bagua

The bagua (pinyin) or pa-kua (Wade-Giles) (八卦) are a set of eight symbols that originated in China, used in Daoist / Taoist cosmology to represent the fundamental principles of reality, seen as a range of eight interrelated concepts. Each consists of three lines, each line either "broken" or "unbroken", respectively representing yin or yang. Due to their tripartite structure, they are often referred to as Eight Trigrams in English. The trigrams are related to Yijing and Taiji philosophy, and the Wuxing, or "five elements".