Severe style

The Severe style, or Early Classical style, was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century. It was an international style found at many cities in the Hellenic world and in a variety of media including: bronze sculpture in the round, stelae, and architectural relief. The style perhaps realized its greatest fulfillment in the metopes of the Temple of Zeus, Olympia. The term severe style was first coined by Gustav Kramer in his Über den Styl und die Herkunft der bemahlten griechischen Thongefäße ("On the style and the origins of painted Greek pottery", 1837, Berlin) in reference to the first generation of red figure vase painters; since Vagn Poulsen's 1937 study Der strenge Stil ("The Severe Style"), the name has become exclusively associated with sculpture. There is no firm chronology for the Severe style, the dating of early 5th century BCE sculpture is approximate and consequently its first appearance has been conjectured to be at some point between 525 and 480 BCE. The one exception to this general rule of uncertainty is the Tyrannicide group; a replacement for the bronze created by Antenor in 514 to commemorate the assassins of the tyrant Hipparchus was sculpted by Kritios and Nesiotes and dated in an inscription of 477/6 BCE. This piece, now known only from Roman copies preserves the poses and facial features familiar from archaic art and combines it with a novel treatment of multiple viewpoints, feeling for mass, and anatomical observation that distinguishes it as one of several Athenian transitional works. Another is the Kritian boy, c. 480 BCE, whose distribution of weight onto one leg, lowered right hip, and inclination of head and shoulders exceeds the formulas of the late Archaic kouroi marks a step toward the greater naturalism and individualization of the Classical – as B. S.