Summary
Speculative fiction is an umbrella category of fiction that, in its broadest sense, encompasses all the genres that depart from realism, or imitating ordinary reality, such as in the context of supernatural, futuristic, and other imaginative realms. This catch-all genre thus includes, but is not limited to, science fiction, fantasy, horror, superhero fiction, alternate history, utopian and dystopian fiction, and supernatural fiction, as well as combinations thereof (for example, science fantasy). The term has been used with a variety of meanings for works of literature. "Speculative fiction" is sometimes abbreviated "spec-fic", "spec fic", "specfic", "S-F", "SF" or "sf". The last three abbreviations, however, are ambiguous as they have long been used to refer to science fiction (which lies within this general range of literature). The term has been used by some critics and writers dissatisfied with what they consider to be a limitation of science fiction: the need for the story to hold to scientific principles. They argue that "speculative fiction" better defines an expanded, open, imaginative type of fiction than does "genre fiction", and the categories of "fantasy", "mystery", "horror" and "science fiction". Harlan Ellison used the term to avoid being pigeonholed as a writer. Ellison, a fervent proponent of writers embracing more literary and modernist directions, broke out of genre conventions to push the boundaries of speculative fiction. The term "suppositional fiction" is sometimes used as a sub-category designating fiction in which characters and stories are constrained by an internally consistent world, but not necessarily one defined by any particular genre. Speculative fiction as a category ranges from ancient works to paradigm-changing and neotraditional works of the 21st century. Characteristics of speculative fiction have been recognized in older works whose authors' intentions, or in the social contexts of the stories they portray, are now known.
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