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Concept
Chiaroscuro
Summary
Chiaroscuro; kiˌɑːrəˈsk(j)ʊəroʊ; ; ˌkjaroˈskuːro), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro.
Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting.
Chiaroscuro originated in the Renaissance period but is most notably associated with Baroque art. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio, Rembrandt, Vermeer, Goya, and Georges de La Tour.
The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour. These in turn drew on traditions in illuminated manuscripts going back to late Roman Imperial manuscripts on purple-dyed vellum. Such works are called "chiaroscuro drawings", but may only be described in modern museum terminology by such formulae as "pen on prepared paper, heightened with white bodycolour". Chiaroscuro woodcuts began as imitations of this technique. When discussing Italian art, the term sometimes is used to mean painted images in monochrome or two colours, more generally known in English by the French equivalent, grisaille. The term broadened in meaning early on to cover all strong contrasts in between light and dark areas in art, which is now the primary meaning.
Official source
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