Strum

In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin. A strum or stroke is a sweeping action where a finger or plectrum brushes over several strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand (typically the musician's dominant hand, which is often responsible for generating the majority of sound on a stringed instrument), while the remaining hand (referred to as the fret hand on most instruments with a fingerboard) often supports the strum hand by altering the tones and pitches of any given strum. Strums are often contrasted with plucking, as a means of vibrating an instrument's strings. In plucking, a specific string or designated set of strings are individually targeted to vibrate, whereas in strumming, a less precise targeting is usually used. Compared to other plucking techniques, any group of strings brushed in a single sweep by a plectrum could be considered a strum due to the plectrum's less precise string group targeting (however, a plectrum might simultaneously pluck a small group of strings without being considered a strum). In contrast, a musician could utilize a technique with more precise string group targeting (such as a fingerstyle or fingerpick technique) to pluck all the strings on a stringed instrument at once and this would still be considered a pluck, not a strum. A strumming pattern or strum is a preset pattern used by a rhythm guitar. For example, a pattern in common time or consisting of alternating down and up eighth note strokes may be written: The pattern most typical of rock and related styles is: The final upstroke is sometimes omitted altering the strumming pattern slightly to d du ud. This pattern is often called "Old Faithful", or when played on ukulele, the "Island Strum". Examples of other strumming patterns include: Single down strum: Elvis' "Burning Love" Kathy Mattea's "What Could Have Been" Boom-chicka: Merle Haggard's "Silver Wings" The simple four-to-a-bar rhythm is associated with jazz guitarists such as Freddie Green, although they may subtly vary the rhythm of a chord on some beats to add interest.