Concept
Muraqqa
Related concepts (15)
Mughal Empire
The Mughal Empire was an early modern empire based in South Asia between the 16th and 19th centuries. For some two hundred years, the empire stretched from the outer fringes of the Indus River Basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India.
Ottoman miniature
Ottoman miniature (Osmanlı minyatürü) or Turkish miniature was a Turkish art form in the Ottoman Empire, which can be linked to the Persian miniature tradition, as well as strong Chinese artistic influences. It was a part of the Ottoman book arts, together with illumination (tezhip), calligraphy (hat), marbling paper (ebru), and bookbinding (cilt). The words taswir or nakish were used to define the art of miniature painting in Ottoman Turkish. The studios the artists worked in were called Nakkashanes.
Persian art
Persian art or Iranian art (Honar-è Irâni) has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art.
Persian miniature
A Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums.
Rajput painting
Rajput painting, painting of the regional Hindu courts during Mughal era, roughly from the end of the 16th-century to the middle of the 19th-century. Traditionally Rajput painting is further divided into Rajasthan and Pahari painting, that flourished in two different areas, "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture".
Akbar
Abu'l-Fath Jalal-ud-din Muhammad Akbar ( – ), popularly known as Akbar the Great (akbarɪ azam), and also as Akbar I (akbar), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent through Mughal military, political, cultural, and economic dominance.
Mughal painting
Mughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.
Nastaliq
Nastaliq (ˌnæstəˈliːk,_ˈnæstəliːk; , næsˈthæʔliːq; nəsˈt̪ɑːliːq), also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script, and it is used for some Indo-Iranian languages, predominantly Classical Persian, Urdu, Kashmiri, Saraiki and Punjabi (Shahmukhi). It is often used also for Ottoman Turkish poetry, but rarely for Arabic. Nastaliq developed in Iran from naskh beginning in the 13th century and remains very widely used in Iran, Afghanistan, India and Pakistan and other countries for written poetry and as a form of art.
Islamic calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi (خط عربي), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based.
Qazvin
Qazvin (kæzˈviːn; قزوین, ɢæzˈviːn, also Romanized as Qazvīn, Qazwin, Kazvin, Kasvin, Caspin, Casbin, Casbeen, or Ghazvin) is a city in the Central District of Qazvin County, Qazvin province, Iran, and serves as capital of the district, county, and province. It is the largest city in Qazvin province. Qazvin was a capital of the Safavid dynasty for over forty years (1555–1598) and nowadays is known as the calligraphy capital of Iran. It is famous for its traditional confectioneries (like Baghlava), carpet patterns, poets, political newspaper and Pahlavi influence on its accent.