Chinese poetryChinese poetry is poetry written, spoken, or chanted in the Chinese language, and a part of the Chinese literature. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry. Poetry is consistently held in high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literati.
Chinese dragonThe Chinese dragon, also known as the loong, long or lung ( / 龙), is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: snakes, Chinese alligators, thunder worship and nature worship. They traditionally symbolize potent and auspicious powers, particularly control over water.
ZhurongZhurong (), also known as Chongli (), is an important personage in Chinese mythology and Chinese folk religion. According to the Huainanzi and the philosophical texts of Mozi and his followers, Zhurong is a god of fire and of the south. The Shanhaijing gives alternative genealogies for Zhurong, including descent from both the Yan Emperor and Yellow Emperor. However, it is recorded in suspicious part Dahuangjing(大荒經) and Haineijing(海內經) that were written last.
NüwaNüwa, also read Nügua, is a mother goddess, culture hero, and/or member of the Three Sovereigns of Chinese mythology. She is a god in Chinese folk religion and Taoism. She is credited with creating humanity and repairing the Pillar of Heaven. As creator of mankind, she molded humans individually by hand with yellow clay. In other stories where she fulfills this role, she only created nobles and/or the rich out of yellow soil. The stories vary on the other details about humanity's creation, but it was a tradition commonly believed in ancient China that she created commoners from brown mud.
Chinese mythologyChinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history.
TianTiān (天) is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion. During the Shang dynasty (17th―11th century BCE), the Chinese referred to their supreme god as Shàngdì (上帝, "Lord on High") or Dì (帝, "Lord"). During the following Zhou dynasty, Tiān became synonymous with this figure. Before the 20th century, worship of Tiān was an orthodox state religion of China.
HundunHundun () is both a "legendary faceless being" in Chinese mythology and the "primordial and central chaos" in Chinese cosmogony, comparable with the world egg. Hundun was semantically extended from a mythic "primordial chaos; nebulous state of the universe before heaven and earth separated" to mean "unintelligible; chaotic; messy; mentally dense; innocent as a child". While hùndùn "primordial chaos" is usually written as in contemporary vernacular, it is also written as —as in the Daoist classic Zhuangzi—or —as in the Zuozhuan.
