Black propaganda is a form of propaganda intended to create the impression that it was created by those it is supposed to discredit. Black propaganda contrasts with gray propaganda, which does not identify its source, as well as white propaganda, which does not disguise its origins at all. It is typically used to vilify or embarrass the enemy through misrepresentation.
The major characteristic of black propaganda is that the audience are not aware that someone is influencing them, and do not feel that they are being pushed in a certain direction. Black propaganda purports to emanate from a source other than the true source. This type of propaganda is associated with covert psychological operations. Sometimes the source is concealed or credited to a false authority and spreads lies, fabrications, and deceptions. Black propaganda is the "big lie", including all types of creative deceit. Black propaganda relies on the willingness of the receiver to accept the credibility of the source. If the creators or senders of the black propaganda message do not adequately understand their intended audience, the message may be misunderstood, seem suspicious, or fail altogether.
Governments conduct black propaganda for a few reasons. By disguising their direct involvement, a government may be more likely to succeed in convincing an otherwise unbelieving target audience. There are also diplomatic reasons behind the use of black propaganda. Black propaganda is necessary to obfuscate a government's involvement in activities that may be detrimental to its foreign policies.
Benjamin Franklin created and circulated a fake supplement to a Boston newspaper that included letters on Indian atrocities and the treatment of American prisoners.
In the United Kingdom, the Political Warfare Executive operated a number of black propaganda radio stations. Gustav Siegfried Eins (GS1) was one of the first such stations—purporting to be a clandestine German station. The speaker, "Der Chef", purported to be a Nazi extremist, accusing Adolf Hitler and his henchmen of going soft.
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Political warfare is the use of political means to compel an opponent to do one's will, based on hostile intent. The term political describes the calculated interaction between a government and a target audience, including another state's government, military, and/or general population. Governments use a variety of techniques to coerce certain actions, thereby gaining relative advantage over an opponent. The techniques include propaganda and psychological operations ("PsyOps"), which service national and military objectives respectively.
The Cold War was a period of geopolitical tension between the United States and the Soviet Union and their respective allies, the Western Bloc and the Eastern Bloc. The term cold war is used because there was no large-scale fighting directly between the two superpowers, but they each supported opposing sides in major regional conflicts known as proxy wars. The conflict was based on the ideological and geopolitical struggle for global influence by these two superpowers, following their roles as the Allies of World War II that led to victory against Nazi Germany and Imperial Japan in 1945.
Psychological warfare (PSYWAR), or the basic aspects of modern psychological operations (PsyOp), have been known by many other names or terms, including Military Information Support Operations (MISO), Psy Ops, political warfare, "Hearts and Minds", and propaganda. The term is used "to denote any action which is practiced mainly by psychological methods with the aim of evoking a planned psychological reaction in other people". Various techniques are used, and are aimed at influencing a target audience's value system, belief system, emotions, motives, reasoning, or behavior.
This article analyses how Chinese authorities instrumentalise popular culture with the aim of constructing a policy for governing national cultural practices. This instrumentalisation will be illustrated by the yangge dance, a popular traditional practice ...
2008
The thesis wants to analyze "the strategies of wrapping in Dutch contemporary architecture" and wants to re-define, in a systematic way, some aspects that have not been investigated by those publications and authors that, since the beginning of the '90s un ...