Concept
Indian art
Related concepts (24)
Yakshini
Yakshinis or yakshis (यक्षिणी yakṣiṇī or yakṣī; yakkhiṇī or yakkhī) are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims.
Architecture of India
Indian architecture is rooted in the history, culture, and religion of India. Among several architectural styles and traditions, the best-known include the many varieties of Hindu temple architecture and Indo-Islamic architecture, especially Rajput architecture, Mughal architecture, South Indian architecture, and Indo-Saracenic architecture. Early Indian architecture was made from wood, which did not survive due to rotting and instability in the structures.
Art of Mathura
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
Gupta art
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
Buddhist art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
Ganesha
Ganesha (गणेश, ), also spelled Ganesh, and also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head.
Kushan art
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art.
Santiniketan
Shantiniketan is a neighbourhood of Bolpur town in the Bolpur subdivision of Birbhum district in West Bengal, India, approximately 152 km north of Kolkata. It was established by Maharshi Devendranath Tagore, and later expanded by his son, Rabindranath Tagore whose vision became what is now a university town with the creation of Visva-Bharati. In 1863, Debendranath Tagore took on permanent lease of land, with two (Alstonia scholaris) trees, at an annual payment of Rs. 5, from Bhuban Mohan Sinha, the talukdar of Raipur, Birbhum.
Akbar
Abu'l-Fath Jalal-ud-din Muhammad Akbar ( – ), popularly known as Akbar the Great (akbarɪ azam), and also as Akbar I (akbar), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent through Mughal military, political, cultural, and economic dominance.
Rajput painting
Rajput painting, painting of the regional Hindu courts during Mughal era, roughly from the end of the 16th-century to the middle of the 19th-century. Traditionally Rajput painting is further divided into Rajasthan and Pahari painting, that flourished in two different areas, "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture".