PolymathA polymath (πολυμαθής; homo universalis) is an individual whose knowledge spans a substantial number of subjects, known to draw on complex bodies of knowledge to solve specific problems. In Western Europe, the first work to use the term polymathy in its title (De Polymathia tractatio: integri operis de studiis veterum) was published in 1603 by Johann von Wowern, a Hamburg philosopher. Von Wowern defined polymathy as "knowledge of various matters, drawn from all kinds of studies ...
Sandro BotticelliAlessandro di Mariano di Vanni Filipepi (1445 – May 17, 1510), better known as Sandro Botticelli (ˌboʊtiˈtʃɛli, , ˈsandro bottiˈtʃɛlli) or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
Antonio da CorreggioAntonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (kəˈrɛdʒioʊ, also UKkɒˈ-, US-dʒoʊ, korˈreddʒo), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century.
ContrappostoContrapposto (kontrapˈposto) is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition.
SilverpointSilverpoint (one of several types of metalpoint) is a traditional drawing technique first used by medieval scribes on manuscripts. A silverpoint drawing is made by dragging a silver rod or wire across a surface, often prepared with gesso or Chinese white ground. Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports.
Christie'sChristie's is a British auction house founded in 1766 by James Christie. Its main premises are on King Street, St James's in London, and it has additional salerooms in New York, Paris, Hong Kong, Milan, Amsterdam, Geneva, Shanghai, and Dubai. It is owned by Groupe Artémis, the holding company of François Pinault. In 2022 Christie's sold 8.4billioninartandluxurygoods,anall−timehighforanyauctionhouse.In2017,theSalvatorMundiwassoldatChristie′sinNewYorkfor450 million, the highest price ever paid for a single painting. Divina proportioneDivina proportione (15th century Italian for Divine proportion), later also called De divina proportione (converting the Italian title into a Latin one) is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, completed by February 9th, 1498 in Milan and first printed in 1509. Its subject was mathematical proportions (the title refers to the golden ratio) and their applications to geometry, to visual art through perspective, and to architecture.
PredellaIn art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the Life of Christ, the Life of the Virgin or a saint.
MasterpieceA masterpiece, magnum opus, or chef-d'œuvre; ; ʃɛ.d‿œvʁ) in modern use is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship. Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts.
Vitruvian ManThe Vitruvian Man (L'uomo vitruviano; ˈlwɔːmo vitruˈvjaːno) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. Described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization".
