AeginaAegina (ɪ'dʒaɪnə; Αίγινα, Aígina; Αἴγῑνα) is one of the Saronic Islands of Greece in the Saronic Gulf, from Athens. Tradition derives the name from Aegina, the mother of the hero Aeacus, who was born on the island and became its king. The municipality of Aegina consists of the island of Aegina and a few offshore islets. It is part of the Islands regional unit, Attica region. The municipality is subdivided into the following five communities (population in 2011 in parentheses ): Kypseli (2,124) Mesagros (1,361) Perdika (8,236) Vathy (1,495) The regional capital is the town of Aegina, situated at the northwestern end of the island.
Black-figure potteryBlack-figure pottery painting, also known as the black-figure style or black-figure ceramic (), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes.
EpigraphyEpigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an epigrapher or epigraphist.
Doric orderThe Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood.
