Susan CrileSusan Crile (born 1942) is an American painter and printmaker. Crile was born in 1942 in Cleveland, Ohio. She attended Bennington College, graduating in 1965. In 1972 Crile was interviewed by Paul Cummings for the Archives of American Art. The same year her image was included the iconic poster Some Living American Women Artists by Mary Beth Edelson. Her work has political themes, such as work based on images of torture at Abu Ghraib prison in Iraq after the 2003 U.S. invasion.
Encaustic paintingEncaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation.
PhotorealismPhotorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium. Although the term can be used broadly to describe artworks in many different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early 1970s.
Joan MitchellJoan Mitchell (February 12, 1925 – October 30, 1992) was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career. Mitchell's emotionally intense style and its gestural brushwork were influenced by nineteenth-century post-impressionist painters, particularly Henri Matisse.
Spanish artSpanish art has been an important contributor to Western art and Spain has produced many famous and influential artists including Velázquez, Goya and Picasso. Spanish art was particularly influenced by France and Italy during the Baroque and Neoclassical periods, but Spanish art has often had very distinctive characteristics, partly explained by the Moorish heritage in Spain (especially in Andalusia), and through the political and cultural climate in Spain during the Counter-Reformation and the subsequent eclipse of Spanish power under the Bourbon dynasty.
Monochrome paintingMonochromatic painting has played a significant role in modern and contemporary Western visual art, originating with the early 20th-century European avant-gardes. Artists have explored the non-representational potential of a single color, investigating shifts in value, diversity of texture, and formal nuances as a means of emotional expression, visual investigation into the inherent properties of painting, as well as a starting point for conceptual works.
Aerial landscape art(This article concerns painting and other non-photographic media. Otherwise, see aerial photography) Aerial landscape art includes paintings and other visual arts which depict or evoke the appearance of a landscape from a perspective above it—usually from a considerable distance—as it might be viewed from an aircraft or spacecraft. Sometimes the art is based not on direct observation but on aerial photography, or on maps created using .
IconographyIconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition.
Surrealist automatismSurrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th-century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it Les Champs Magnétiques (The Magnetic Fields) in 1919.
Henri RousseauHenri Julien Félix Rousseau (ɑ̃ʁi ʒyljɛ̃ feliks ʁuso; 21 May 1844 – 2 September 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll and tax collector. He started painting seriously in his early forties; by age 49, he retired from his job to work on his art full-time. Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality.
