Concept
Javanese dance
Related concepts (16)
Javanese culture
Javanese culture is the culture of the Javanese people. Javanese culture is centered in the provinces of Central Java, Yogyakarta and East Java in Indonesia. Due to various migrations, it can also be found in other parts of the world, such as Suriname (where 15% of the population are of Javanese descent), the broader Indonesian archipelago region, Cape Malay, Malaysia, Singapore, Netherlands and other countries. The migrants bring with them various aspects of Javanese cultures such as Gamelan music, traditional dances and art of Wayang kulit shadow play.
Balinese dance
Balinese dance (Tarian Bali; ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong.
Sundanese dance
Sundanese dances (Tarian Sunda; ᮒᮛᮤ ᮞᮥᮔ᮪ᮓ) is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java and Banten, Indonesia. Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble. In Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple.
Wayang wong
Wayang wong (ꦮꦪꦁꦮꦺꦴꦁ), also known as wayang orang (literally "human wayang"), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the Ramayāna or Mahabharāta. Performances are stylised, reflecting Javanese court culture: Wayang wong dance drama in the central Javanese Kraton (royal court) of Yogyakarta represents the epitome of Javanese aesthetic unity. It is total theatre involving dance, drama, music, visual arts, language, and literature.
Bedhaya
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) (ꦧꦼꦝꦪ) is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant (ꦲꦭꦸꦱ꧀) character of the royal court and became an important symbol of the ruler's power. The bedhaya has different forms in the two court cities, the bedhaya Ketawang in Surakarta (Solo) and the bedhaya Semang in Yogyakarta, the latter of which has not been performed for more than 20 years.
Joged dance
Joged dance (ᬚᭀᬕᬾᬤ᭄) is a style of dance from the Island of Bali derived from the traditional Gandrung dance. The term joged or joget is also a common word for dance in Indonesia. The dance is typically accompanied by a gamelan ensemble of bamboo instruments called a gamelan joged bumbung. Dancers usually wear attire consisting of a Kebaya and Sarong Unlike most Balinese dance, joged is not a religious and ritual one, it is a secular social dance for entertainment purposes only.
Reog
Reog or Réyog (ꦫꦺꦪꦺꦴꦒ꧀) is a traditional Indonesian dance in an open arena that serves as folk entertainment, contains magical elements, the main dancer is a lion-headed person with a peacock feather decoration, plus several masked dancers and Kuda Lumping. Reog is one of the performing arts from the northwestern region of East Java and Ponorogo is the region where Reog originated. The city gate of Ponorogo is decorated with warok and gemblak, two characters who were present at the time when Reog is performed.
Yogyakarta
Yogyakarta (ˌjoʊɡjəˈkɑrtə; ꦔꦪꦺꦴꦒꦾꦏꦂꦠ ŋɑːˈjɔɡjɔˈkɑːrtɔ; Jogjakarta) is the capital city of Special Region of Yogyakarta in Indonesia, in the south-central part of the island of Java. As the only Indonesian royal city still ruled by a monarchy, Yogyakarta is regarded as an important centre for classical Javanese fine arts and culture such as ballet, batik textiles, drama, literature, music, poetry, silversmithing, visual arts, and wayang puppetry.
Javanisation
Javanisation (Commonwealth spelling) or Javanization (North American and Oxford spelling) is the process in which Javanese culture dominates, assimilates, or influences other cultures in general (Jawanisasi or Penjawaan). The term "Javanise" means "to make or to become Javanese in form, idiom, style, or character". This domination could take place in various aspects; such as cultural, language, politics and social.
Mataram Sultanate
The Sultanate of Mataram (məˈtɑrəm) was the last major independent Javanese kingdom on the island of Java before it was colonised by the Dutch. It was the dominant political force radiating from the interior of Central Java from the late 16th century until the beginning of the 18th century. Mataram reached its peak of power during the reign of Sultan Agung Anyokrokusumo (1613-1645), and began to decline after his death in 1645. By the mid-18th century, Mataram lost both power and territory to the Dutch East India Company (Dutch: Vereenigde Oost-Indische Compagnie; VOC).