Marsden Hartley (January 4, 1877 – September 2, 1943) was an American Modernist painter, poet, and essayist. Hartley developed his painting abilities by observing Cubist artists in Paris and Berlin. Hartley was born in Lewiston, Maine, where his English parents had settled. He was the youngest of nine children. His mother died when he was eight, and his father remarried four years later to Martha Marsden. His birth name was Edmund Hartley; he later assumed Marsden as his first name when he was in his early twenties. A few years after his mother's death when Hartley was 14, his sisters moved to Ohio, leaving him behind in Maine with his father where he worked in a shoe factory for a year. These bleak occurrences led Hartley to recall his New England childhood as a time of painful loneliness, so much so that in a letter to Alfred Stieglitz, he once described the New England accent as "a sad recollection [that] rushed into my very flesh like sharpened knives". After he joined his family in Cleveland, Ohio, in 1892, Hartley began his art training at the Cleveland School of Art, where he held a scholarship. In 1898, at the age of 22, Hartley moved to New York City to study painting at the New York School of Art under William Merritt Chase, and then attended the National Academy of Design. Hartley was a great admirer of Albert Pinkham Ryder and visited his studio in Greenwich Village as often as possible. His friendship with Ryder, in addition to the writings of Walt Whitman and American transcendentalists Henry David Thoreau and Ralph Waldo Emerson, inspired Hartley to view art as a spiritual quest. From 1900 to 1910, Hartley spent his summers in Lewiston and the region of Western Maine near the village of Lovell. He considered the paintings he produced there—of Kezar Lake, the hillsides, and mountains—his first mature works. These paintings so impressed New York photographer and art promoter Alfred Stieglitz that he agreed on the spot to give Hartley his first solo exhibition at Stieglitz's art gallery 291 in 1909.