Concept
Comparative mythology
Related concepts (16)
Three-legged crow
The three-legged (or tripedal) crow is a mythological creature in various mythologies and arts of East Asia. It is believed to inhabit and represent the Sun. Evidence of the earliest bird-Sun motif or totemic articles excavated around 5000 BCE. from the lower Yangtze River delta area. This bird-Sun totem heritage was observed in later Yangshao and Longshan cultures. Also, in Northeast Asia, artifacts of birds and phoenix observed to be a symbol of leadership was excavated to be around 5500 BCE in Xinle culture and later Hongshan culture from Liao river basin.
Greek mythology
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices.
Religion and mythology
Religion and mythology differ in scope but have overlapping aspects. Both are systems of concepts that are of high importance to a certain community, making statements concerning the supernatural or sacred. Generally, mythology is considered one component or aspect of religion. Religion is the broader term: besides mythological aspects, it includes aspects of ritual, morality, theology, and mystical experience. A given mythology is almost always associated with a certain religion such as Greek mythology with Ancient Greek religion.
Dying-and-rising deity
A dying-and-rising, death-rebirth, or resurrection deity is a religious motif in which a god or goddess dies and is resurrected. Examples of gods who die and later return to life are most often cited from the religions of the ancient Near East. The traditions influenced by them include the Greco-Roman mythology. The concept of a dying-and-rising god was first proposed in comparative mythology by James Frazer's seminal The Golden Bough (1890). Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation.
Korean mythology
Korean mythology () is the group of myths told by historical and modern Koreans. There are two types: the written, literary mythology in traditional histories, mostly about the founding monarchs of various historical kingdoms, and the much larger and more diverse oral mythology, mostly narratives sung by shamans or priestesses (mansin) in rituals invoking the gods and which are still considered sacred today. The historicized state-foundation myths representing the bulk of the literary mythology are preserved in Classical Chinese-language works such as Samguk sagi and Samguk yusa.
Joseph Campbell
Joseph John Campbell (March 26, 1904 – October 30, 1987) was an American writer. He was a professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.
Chinese creation myths
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will. Chinese creation myths fundamentally differ from monotheistic traditions with one authorized version, such as the Judeo-Christian Genesis creation narrative: Chinese classics record numerous and contradictory origin myths.
Polytheism
Polytheism is the belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religious sects and rituals. Polytheism is a type of theism. Within theism, it contrasts with monotheism, the belief in a singular God who is, in most cases, transcendent. In religions that accept polytheism, the different gods and goddesses may be representations of forces of nature or ancestral principles; they can be viewed either as autonomous or as aspects or emanations of a creator deity or transcendental absolute principle (monistic theologies), which manifests immanently in nature (panentheistic and pantheistic theologies).
Archetypal literary criticism
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, s, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical scholar Maud Bodkin published Archetypal Patterns in Poetry. Archetypal literary criticism's origins are rooted in two other academic disciplines, social anthropology and psychoanalysis; each contributed to literary criticism in separate ways.
Finnegans Wake
Finnegans Wake is a novel by Irish writer James Joyce. It is well known for its experimental style and its reputation as one of the most difficult works of fiction in the Western canon. Written over a period of seventeen years and published in 1939, the novel was Joyce's final work. It is written in a largely idiosyncratic language which blends standard English with neologisms, portmanteau words, Irish mannerisms and puns in multiple languages to create a refracted effect.