DramaDrama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or "act" (Classical Greek: δρᾶμα, drâma), which is derived from "I do" (Classical Greek: δράω, dráō).
KalidasaKālidāsa (fl. 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE.
Sanskrit literatureSanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).
BhāsaBhāsa is one of the earliest and most celebrated Indian playwrights in Sanskrit, predating Kalidasa. His name was already well-known by the 1st century BCE and he belongs to the late-Mauryan (322-184 BCE) period at the earliest, but the thirteen plays attached to his name are commonly dated closer to the first or second century CE. His plays had been lost for centuries until the manuscripts were rediscovered in 1913 by the Indian scholar Ganapati Shastri.
Rasa (aesthetics)In Indian aesthetics, a rasa (रस) literally means "nectar, essence or taste". It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or sahṛidaya, literally one who "has heart", and can connect to the work with emotion, without dryness.
MṛcchakatikaMṛcchakatika (Mṛcchakaṭikam मृच्छकटिकम्), also spelled Mṛcchakaṭikā, Mrchchhakatika, Mricchakatika, or Mrichchhakatika (The Little Clay Cart) is a ten-act Sanskrit drama attributed to Śūdraka, an ancient playwright who is possibly from the 5th century CE, and who is identified by the prologue as a Kshatriya king as well as a devotee of Shiva who lived for above 110 years. The play is set in the ancient city of Ujjayini during the reign of the King Pālaka, near the end of the Pradyota dynasty that made up the first quarter of the fifth century BCE.
ShudrakaShudraka (IAST: ) was an Indian playwright, to whom three Sanskrit plays are attributed: Mrichchhakatika (The Little Clay Cart), Vinavasavadatta, and a bhana (short one-act monologue), Padmaprabhritaka. According to the prologue of Mrichchhakatika, he was a king; according to one theory, he may have been a third century Abhira king. According to another theory, Shudraka is a mythical figure, and the authorship of plays attributed to him is uncertain.
Shakuntala (play)Abhijnanashakuntalam (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: Abhijñānaśākuntalam), also known as Shakuntala, The Recognition of Shakuntala, The Sign of Shakuntala, and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic Mahābhārata and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Sanskrit drama Plots similar to the play appear in earlier texts.
RatnavaliRatnavali (Precious Garland) is a Sanskrit drama about a beautiful princess named Ratnavali, and a great king named Udayana. It is attributed to the Indian emperor Harsha (606–648). It is a Natika in four acts. One of the first textual references to the celebration of Holi, the festival of Colours have been found in this text. Ratnāvalī subtitled (rajaparikatha) is also the title of a 3rd-century (?) Buddhist philosophical work by Nagarjuna, a discourse addressed to an Indian king (possibly a Satavahana monarch).
VikramōrvaśīyamVikramōrvaśīyam (विक्रमोर्वशीयम्) is a five-act Sanskrit play by ancient Indian poet Kālidāsa, who lived in the 4th or 5th Century CE, on the Vedic love story of King Pururavas and an Apsarā (celestial nymph) named Ūrvaśī, known for her beauty. As per the tradition, while the basic plot has taken elements from the sources such as the Samvāda Sūkta of the Ṛgveda, Mahābhārata and others, Kālidāsa has made significant adaptations to make the presentation more appealing while establishing his prowess as a playwright.
