Concept
Diwan (poetry)
Related concepts (14)
Rumi
Jalāl al-Dīn Muḥammad Rūmī (جلالالدین محمد رومی), or simply Rumi (30 September 1207 – 17 December 1273), was a 13th-century poet, Hanafi faqih, Islamic scholar, Maturidi theologian and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's works were written mostly in Persian, but occasionally he also used Turkish, Arabic and Greek in his verse. His Masnavi (Mathnawi), composed in Konya, is considered one of the greatest poems of the Persian language.
Poetry
Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe.
Suleiman the Magnificent
Suleiman I (Süleyman-ı Evvel; I. Süleyman; 6 November 1494 - 6 September 1566), commonly known as Suleiman the Magnificent in the West and Suleiman the Lawgiver (Ḳānūnī Sulṭān Süleymān) in his realm, was the tenth and longest-reigning sultan of the Ottoman Empire from 1520 until his death in 1566. Under his administration, the Ottoman Empire ruled over at least 25 million people. Suleiman succeeded his father, Selim I, as sultan on 30 September 1520 and began his reign with campaigns against the Christian powers in Central Europe and the Mediterranean.
Metre (poetry)
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.