Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by postmodernity. The idea of the postmodern condition is sometimes characterized as a culture stripped of its capacity to function in any linear or autonomous state like regressive isolationism, as opposed to the progressive mind state of modernism.
Postmodernity can mean a personal response to a postmodern society, the conditions in a society which make it postmodern or the state of being that is associated with a postmodern society as well as a historical epoch. In most contexts it should be distinguished from postmodernism, the adoption of postmodern philosophies or traits in the arts, culture and society. In fact, today's historical perspectives on the developments of postmodern art (postmodernism) and postmodern society (postmodernity) can be best described as two umbrella terms for processes engaged in an ongoing dialectical relationship like post-postmodernism, the result of which is the evolving culture of the contemporary world.
Some commentators deny that modernity ended, and consider the post-WWII era to be a continuation of modernity, which they refer to as late modernity.
Postmodernity is the state or condition of being postmodern – after or in reaction to that which is modern, as in postmodern art (see postmodernism). Modernity is defined as a period or condition loosely identified with the Progressive Era, the Industrial Revolution, or the Enlightenment. In philosophy and critical theory postmodernity refers to the state or condition of society which is said to exist after modernity, a historical condition that marks the reasons for the end of modernity. This usage is ascribed to the philosophers Jean-François Lyotard and Jean Baudrillard.
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This course proposes to investigate six strategies for architecture in the age of acceleration: Acceleration, Regionalism, Participation, Transformation, Commonality and Resilience. Anchoring these st
Late modernity (or liquid modernity) is the characterization of today's highly developed global societies as the continuation (or development) of modernity rather than as an element of the succeeding era known as postmodernity, or the postmodern. Introduced as "liquid" modernity by the Polish sociologist Zygmunt Bauman, late modernity is marked by the global capitalist economies with their increasing privatization of services and by the information revolution.
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment. Postmodernist thinkers developed concepts like difference, repetition, trace, and hyperreality to subvert "grand narratives", univocity of being, and epistemic certainty.
Structural functionalism, or simply functionalism, is "a framework for building theory that sees society as a complex system whose parts work together to promote solidarity and stability". This approach looks at society through a macro-level orientation, which is a broad focus on the social structures that shape society as a whole, and believes that society has evolved like organisms. This approach looks at both social structure and social functions.
Explores the origin and evolution of Impressionism, from a mocking term to a defining artistic identity, emphasizing the movement's focus on capturing sensations over precise landscapes.
Explores the role of architecture and architects in modern society, questioning if architects can shape society or if architecture is determined by social, political, and economic conditions.
Delves into the complex relationship between architecture and society, exploring the possibilities of creating autonomous and critical architectural designs.
Designed by Just Lisch for the 1900 Exposition Universelle, the Invalides train station gave the French western railway company a more central terminus in Paris, right next to the exhibition pavilions and the river Seine. From 1893 onwards, the project was ...
The appearance of new forms of inhabiting the space has emerged to meet citizens' demands and new business paradigms. The contemporary city embraces a postmodern concept. The outcome is a new biopolitical project that affects citizens' living conditions th ...
Welcome to the post-analog condition* è un archivio digitale che il Circolo del Design costruisce in tempo reale per innescare e stimolare una riflessione condivisa in relazione alla pandemia causata dal Covid-19 in tutto il mondo. I protagonisti del mondo ...