Concept

Shitao

Summary
Shitao or Shi Tao (; other department Yuan Ji (), 1642 – 1707), born into the Ming dynasty imperial clan as Zhu Ruoji (朱若極), was a Chinese Buddhist monk, calligrapher, and landscape painter during the early Qing dynasty. Born in the Quanzhou County in Guangxi province, Shitao was a member of the royal house descended from the elder brother of Zhu Yuanzhang. He narrowly avoided catastrophe in 1644 when the Ming dynasty fell to invading Manchus and civil rebellion. Having escaped by chance from the fate to which his lineage would have assigned him, he assumed the name Yuanji Shitao no later than 1651 when he became a Buddhist monk. He moved from Wuchang, where he began his religious instruction, to Anhui in the 1660s. Throughout the 1680s he lived in Nanjing and Yangzhou, and in 1690 he moved to Beijing to find patronage for his promotion within the monastic system. Frustrated by his failure to find a patron, Shitao converted to Daoism in 1693 and returned to Yangzhou where he remained until his death in 1707. In his late years, he is said to have greeted the Kangxi Emperor while the latter was visiting Yangzhou. Shitao used over two dozen courtesy names during his life. Both like and unlike Bada Shanren, his feelings for his family history can be deeply felt from these. Among the most commonly used names were Shitao (Stone Wave – 石涛), Daoji (道濟; Tao-chi), Kugua Heshang (Bitter Gourd Monk – 苦瓜和尚), Yuan Ji (Origin of Salvation – 原濟), Xia Zunzhe (Honorable Blind One – 瞎尊者, blind to worldly desires), Da Dizi (The Cleansed One – 大滌子). As a Buddhist convert, he was also known with the monastic name Yuan Ji (原濟). Da Dizi was taken when Shitao renounced his Buddhist faith and turned to Daoism. It was also the name he used for his home in Yangzhou (Da Di Hall – 大滌堂). Shitao is one of the most famous individualist painters of the early Qing years. The art he created was revolutionary in its transgressions of the rigidly codified techniques and styles that dictated aesthetics at the time.
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