ScansionScansion (ˈskæn.ʃən , rhymes with mansion; verb: to scan), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different lengths of each syllable. In English poetry, they are based on the different levels of stress placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem.
AlliterationAlliteration is the repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. An example is "Peter Piper picked a peck of pickled peppers". Alliterative verse and Alliterative Revival The word alliteration comes from the Latin word littera, meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish.
Verse (poetry)A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable (mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph.
Accentual-syllabic verseAccentual-syllabic verse is an extension of accentual verse which fixes both the number of stresses and syllables within a line or stanza. Accentual-syllabic verse is highly regular and therefore easily scannable. Usually, either one metrical foot, or a specific pattern of metrical feet, is used throughout the entire poem; thus one can speak about a poem being in, for example, iambic pentameter.
AnapaestAn anapaest (ˈænəpiːst,_-pɛst; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek ἀνάπαιστος, anápaistos, literally "struck back" and in a poetic context "a dactyl reversed".
JuejuJueju (), or Chinese quatrain, is a type of jintishi ("modern form poetry") that grew popular among Chinese poets in the Tang dynasty (618–907), although traceable to earlier origins. Jueju poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called wujue () and the seven-syllable form qijue (). The origins of the jueju style are uncertain. Fränkel states that it arose from the yuefu form in the fifth or sixth century.
PentameterPentameter (πεντάμετρος, 'measuring five (feet)') is a poetic meter. А poem is said to be written in a particular pentameter when the lines of the poem have the length of five feet, where a 'foot' is a combination of a particular number (1 or 2) of unstressed (or weak) syllables and a stressed (or strong) syllable. Depending on the pattern of feet, pentameter can be iambic (one of three two-syllable meters alongside trochaic and spondaic) or dactylic (one of two three-syllable meters alongside anapestic).
TetrameterIn poetry, a tetrameter is a line of four metrical feet. However, the particular foot can vary, as follows: Anapestic tetrameter: "And the sheen of their spears was like stars on the sea" (Lord Byron, "The Destruction of Sennacherib") "Twas the night before Christmas when all through the house" ("A Visit from St. Nicholas") Iambic tetrameter: "Because I could not stop for Death" (Emily Dickinson, eponymous lyric) Trochaic tetrameter: "Peter, Peter, pumpkin-eater" (English nursery rhyme) Dactylic tetrameter: Picture your self in a boat on a river with [.
Syllabic verseSyllabic verse is a poetic form having a fixed or constrained number of syllables per line, while stress, quantity, or tone play a distinctly secondary role — or no role at all — in the verse structure. It is common in languages that are syllable-timed, such as French or Finnish — as opposed to stress-timed languages such as English, in which accentual verse and accentual-syllabic verse are more common. Many European languages have significant syllabic verse traditions, notably Italian, Spanish, French, and the Baltic and Slavic languages.
Accentual verseAccentual verse has a fixed number of stresses per line regardless of the number of syllables that are present. It is common in languages that are stress-timed, such as English, as opposed to syllabic verse which is common in syllable-timed languages, such as French. Accentual verse is particularly common in children's poetry; nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English Language. The following poem, "Baa Baa Black Sheep," has two stresses in each line but a varying number of syllables.
