A mimeograph machine (often abbreviated to mimeo, sometimes called a stencil duplicator) is a low-cost duplicating machine that works by forcing ink through a stencil onto paper. The process is called mimeography, and a copy made by the process is a mimeograph.
Mimeographs, along with spirit duplicators and hectographs, were common technologies for printing small quantities of a document, as in office work, classroom materials, and church bulletins. Early fanzines were printed by mimeograph because the machines and supplies were widely available and inexpensive. Beginning in the late 1960s and continuing into the 1970s, photocopying gradually displaced mimeographs, spirit duplicators, and hectographs.
For even smaller quantities, up to about five, a typist would use carbon paper.
Use of stencils is an ancient art, butthrough chemistry, papers, and pressestechniques advanced rapidly in the late nineteenth century:
A description of the Papyrograph method of duplication was published by David Owen:
A major beneficiary of the invention of synthetic dyes was a document reproduction technique known as stencil duplicating. Its earliest form was invented in 1874 by Eugenio de Zuccato, a young Italian studying law in London, who called his device the Papyrograph. Zuccato's system involved writing on a sheet of varnished paper with caustic ink, which ate through the varnish and paper fibers, leaving holes where the writing had been. This sheet – which had now become a stencil – was placed on a blank sheet of paper, and ink rolled over it so that the ink oozed through the holes, creating a duplicate on the second sheet.
The process was commercialized and Zuccato applied for a patent in 1895 having stencils prepared by typewriting.
Electric pen
Thomas Edison received US patent 180,857 for Autographic Printing on August 8, 1876. The patent covered the electric pen, used for making the stencil, and the flatbed duplicating press.