Concept
Mannerism
Related concepts (35)
Putto
A putto (ˈputto; plural putti ˈputti) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism, the putto came to represent a sort of baby angel in religious art, often called cherubs (plural cherubim), though in traditional Christian theology a cherub is actually one of the most senior types of angel. The same figures were also seen in representations of classical myth, and increasingly in general decorative art.
Trompe-l'œil
Trompe-l'œil; trɒmpˈlɔɪ ; tʁɔ̃.p‿lœj) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. Trompe l'œil, which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. The phrase, which can also be spelled without the hyphen and ligature in English as trompe l'oeil, originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800.
Sfumato
Sfumato (sfuˈmaːto, sfjuːˈmeɪtoʊ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the Virgin of the Rocks and in his famous painting of the Mona Lisa.
Rustication (architecture)
Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place.
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 1503 24 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (UKˌpɑːrmɪdʒæˈniːnoʊ, US-dʒɑːˈ-, parmidʒaˈniːno; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Style (visual arts)
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art.
Auberge de Castille
The Auberge de Castille (Berġa ta' Kastilja) is an auberge in Valletta, Malta. The auberge is located at Castile Place, close to Saint James Cavalier, the Malta Stock Exchange, and the Upper Barrakka Gardens. It sits at the highest point of Valletta and overlooks Floriana and the Grand Harbour area. Built in the Baroque style under the magistracy of Manuel Pinto da Fonseca in the 1740s, it replaced a 1574 building erected to house knights of the Order of Saint John from the langue of Castile, León and Portugal.
Andrea del Sarto
Andrea del Sarto (USɑːnˌdreɪə_dɛl_ˈsɑːrtoʊ, UKænˌ-, anˈdrɛːa del ˈsarto; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
Plateresque
Plateresque, meaning "in the manner of a silversmith" (plata being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.
Giant order
In classical architecture, a giant order, also known as colossal order, is an order whose columns or pilasters span two (or more) storeys. At the same time, smaller orders may feature in arcades or window and door framings within the storeys that are embraced by the giant order. The giant order as such was unknown to antiquity, although most ancient buildings using formal orders lacked upper storeys. To an extent buildings with giant orders resemble a Roman temple adapted for post-classical use, as many were (the survivors have now usually been stripped of later filling-in).