Concept

Medieval dance

Summary
Sources for an understanding of dance in Europe in the Middle Ages are limited and fragmentary, being composed of some interesting depictions in paintings and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts. The first detailed descriptions of dancing only date from 1451 in Italy, which is after the start of the Renaissance in Western Europe. The most documented form of secular dance during the Middle Ages is the carol also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings. It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while dancing. No surviving lyrics or music for the carol have been identified. In northern France, other terms for this type of dance included "ronde" and its diminutives "rondet", "rondel", and "rondelet" from which the more modern music term "rondeau" derives. In the German-speaking areas, this same type of choral dance was known as "reigen". Mullally in his book on the carole makes the case that the dance, at least in France, was done in a closed circle with the dancers, usually men and women interspersed, holding hands. He adduces evidence that the general progression of the dance was to the left (clockwise) and that the steps probably were very simple consisting of a step to the left with the left foot followed by a step on the right foot closing to the left foot. Some of the earliest mentions of the carol occur in the works of the French poet Chrétien de Troyes in his series of Arthurian romances.
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