A mother goddess is a major goddess characterized as a mother or progenitor, either as an embodiment of motherhood and fertility or fulfilling the cosmological role of a creator- and/or destroyer-figure, typically associated the Earth, sky, and/or the life-giving bounties thereof in a maternal relation with humanity or other gods. When equated in this lattermost function with the earth or the natural world, such goddesses are sometimes referred to as the Mother Earth or Earth Mother, deity in various animistic or pantheistic religions. The earth goddess is archetypally the wife or feminine counterpart of the Sky Father or Father Heaven, particularly in theologies derived from the Proto-Indo-European sphere. In some polytheistic cultures, such as the Ancient Egyptian religion which narrates the cosmic egg myth, the sky is instead seen as the Heavenly Mother or Sky Mother as in Nut and Hathor, and the earth god is regarded as the male, paternal, and terrestrial partner, as in Osiris or Geb who hatched out of the maternal cosmic egg.
Between 1961 and 1965 James Mellaart led a series of excavations at Çatalhöyük, north of the Taurus Mountains in a fertile agricultural region of South-Anatolia. Striking were the many statues found here, which Mellaart suggested represented a Great goddess, who headed the pantheon of an essentially matriarchal culture. A seated female figure, flanked by what Mellaart describes as lionesses, was found in a grain-bin; she may have intended to protect the harvest and grain. He considered the sites as shrines, with especially the Seated Woman of Çatalhöyük capturing the imagination. There was also a large number of sexless figurines, which Mellaart regarded as typical for a society dominated by women: Emphasis on sex in art is invariably connected with male impulse and desire. The idea that there could have been a matriarchy and a cult of the mother goddess was supported by archaeologist Marija Gimbutas. This gave rise to a modern cult of the Mother Goddess with annual s being organized at Çatalhöyük.
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Polytheism is the belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religious sects and rituals. Polytheism is a type of theism. Within theism, it contrasts with monotheism, the belief in a singular God who is, in most cases, transcendent. In religions that accept polytheism, the different gods and goddesses may be representations of forces of nature or ancestral principles; they can be viewed either as autonomous or as aspects or emanations of a creator deity or transcendental absolute principle (monistic theologies), which manifests immanently in nature (panentheistic and pantheistic theologies).
The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by the English writer Robert Graves. First published in 1948, the book is based on earlier articles published in Wales magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. The White Goddess represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective.
Chinese folk religion, also known as Chinese popular religion, comprehends a range of traditional religious practices of Han Chinese, including the Chinese diaspora. Vivienne Wee described it as "an empty bowl, which can variously be filled with the contents of institutionalised religions such as Buddhism, Taoism, Confucianism and Chinese syncretic religions”. This includes the veneration of shen (spirits) and ancestors, exorcism of demonic forces, and a belief in the rational order of nature, balance in the universe and reality that can be influenced by human beings and their rulers, as well as spirits and deities.
Dendara, July 16, 54 BCE, began the reconstruction of the temple dedicated to the goddess Hathor. Founded under Ptolemy XII, the temple studied here stands at the end of an architectural tradition developed over three millennia. Its state of conservation i ...