Migration Period artMigration Period art denotes the artwork of the Germanic peoples during the Migration period (c. 300 – 900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style.
Celtic BritonsThe Britons (*Pritanī, Britanni), also known as Celtic Britons or Ancient Britons, were the indigenous Celtic people who inhabited Great Britain from at least the British Iron Age until the High Middle Ages, at which point they diverged into the Welsh, Cornish and Bretons (among others). They spoke Common Brittonic, the ancestor of the modern Brittonic languages. The earliest written evidence for the Britons is from Greco-Roman writers and dates to the Iron Age.
Celtic nationsThe Celtic nations or Celtic countries are a cultural area and collection of geographical regions in Northwestern Europe where the Celtic languages and cultural traits have survived. The term nation is used in its original sense to mean a people who share a common identity and culture and are identified with a traditional territory. The six regions widely considered Celtic countries in modern times are Brittany (Breizh), Cornwall (Kernow), Ireland (Éire), the Isle of Man (Mannin, or Ellan Vannin), Scotland (Alba), and Wales (Cymru).
Celtic RevivalThe Celtic Revival (also referred to as the Celtic Twilight) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and so-called 'Celtic art'—what historians call Insular art (the Early Medieval style of Ireland and Britain). Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival.
Scytho-Siberian artScytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the eastern edges of the region vaguely defined by ancient Greeks. The identities of the nomadic peoples of the steppes is often uncertain, and the term "Scythian" should often be taken loosely; the art of nomads much further east than the core Scythian territory exhibits close similarities as well as differences, and terms such as the "Scytho-Siberian world" are often used.
Ancient Greek artAncient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
DruidA druid was a member of the high-ranking priestly class in ancient Celtic cultures. Druids were religious leaders as well as legal authorities, adjudicators, lorekeepers, medical professionals and political advisors. Druids left no written accounts. While they were reported to have been literate, they are believed to have been prevented by doctrine from recording their knowledge in written form. Their beliefs and practices are attested in some detail by their contemporaries from other cultures, such as the Romans and the Greeks.
Celts (modern)The modern Celts (kɛlts , see pronunciation of Celt) are a related group of ethnicities who share similar Celtic languages, cultures and artistic histories, and who live in or descend from one of the regions on the western extremities of Europe populated by the Celts. A modern Celtic identity emerged in Western Europe following the identification of the native peoples of the Atlantic fringe as Celts by Edward Lhuyd in the 18th century. Lhuyd and others equated the Celts described by Greco-Roman writers with the pre-Roman peoples of France, Great Britain, and Ireland.
Pictish stoneA Pictish stone is a type of monumental stele, generally carved or incised with symbols or designs. A few have ogham inscriptions. Located in Scotland, mostly north of the Clyde-Forth line and on the Eastern side of the country, these stones are the most visible remaining evidence of the Picts and are thought to date from the 6th to 9th century, a period during which the Picts became Christianized. The earlier stones have no parallels from the rest of the British Isles, but the later forms are variations within a wider Insular tradition of monumental stones such as high crosses.
GlaubergThe Glauberg is a Celtic hillfort or oppidum in Hesse, Germany consisting of a fortified settlement and several burial mounds, "a princely seat of the late Hallstatt and early La Tène periods." Archaeological discoveries in the 1990s place the site among the most important early Celtic centres in Europe. It provides unprecedented evidence on Celtic burial, sculpture and monumental architecture. Geologically, the Glauberg, a ridge (271 m asl) on the east edge of the Wetterau plain, is a basalt spur of the Vogelsberg range.
