Concept
Bhaṭṭikāvya
Related concepts (8)
Shishupala Vadha
The Shishupala Vadha (शिशुपालवध, IAST: Śiśupāla-vadha, lit. "the slaying of Shishupala") is a work of classical Sanskrit poetry (kāvya) composed by Māgha in the 7th or 8th century. It is an epic poem in 20 sargas (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit mahakavyas, or "great epics". It is also known as the Māgha-kāvya after its author. Like other kavyas, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot.
Sanskrit literature
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).
Mahakavya
Mahākāvya (lit. great kāvya, court epic), also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of mahākāvya are the Kumarasambhava and the Kiratarjuniya. It is considered the most prestigious form in the Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana.
Indian literature
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Republic of India has 22 officially recognised languages. The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics Ramayana and Mahabharata were subsequently codified and appeared towards the end of the 2nd millennium BCE.
Indian epic poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya (or Kāvya; Sanskrit: काव्य, IAST: kāvyá). The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. In modern Hindi literature, Kamayani by Jaishankar Prasad has attained the status of an epic.
Nyaya
(Sanskrit: न्याय, nyā-yá), literally meaning "justice", "rules", "method" or "judgment", is one of the six traditional schools of Hindu philosophy that affirm the Vedas (an astika school). Nyaya's most significant contributions to Indian philosophy were systematic development of the theory of logic, methodology, and its treatises on epistemology. Nyaya school's epistemology accepts four out of six Pramanas as reliable means of gaining knowledge – Pratyakṣa (perception), Anumāṇa (inference), Upamāṇa (comparison and analogy) and Śabda (word, testimony of past or present reliable experts).
Patanjali
Patanjali (Patañjali), also called Gonardiya or Gonikaputra, was a Siddhar; a Hindu author, mystic and philosopher. Estimates based on analysis of his works suggests that he may have lived between the 2nd century BCE and the 4th century CE. He is believed to be an author and compiler of a number of Sanskrit works. The greatest of these are the Yoga Sutras, a classical yoga text. There is speculation as to whether the sage Patañjali is the author of all the works attributed to him, as there are a number of known historical authors of the same name.
Kama
Kama (Sanskrit: काम, ) is the concept of pleasure, enjoyment and desire in Hinduism, Buddhism, and Jainism. It can refer to "desire, wish, longing" in Hindu, Buddhist, Jain, and Sikh literature, however, the term also refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, dance, music, painting, sculpture, and nature.