VaudevilleVaudeville (ˈvɔːd(ə)vɪl,_ˈvoʊ-; vodvil) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent.
ThespisThespis (ˈθɛspɪs; Θέσπις; fl. 6th century BC) was an Ancient Greek poet. He was born in the ancient city of Icarius (present-day Dionysos, Greece). According to certain Ancient Greek sources and especially Aristotle, he was the first person ever to appear on stage as an actor playing a character in a play (instead of speaking as themselves). In other sources, he is said to have introduced the first principal actor in addition to the chorus. He is often called the "Inventor of Tragedy".
Repertory theatreA repertory theatre, also called repertory, rep, true rep or stock, which are also called producing theatres, is a theatre in which a resident company presents works from a specified repertoire, usually in alternation or rotation. Annie Horniman founded the first modern repertory theatre in Manchester after withdrawing her support from the Abbey Theatre in Dublin. Horniman's Gaiety Theatre opened its first season in September of 1908. The opening of the Gaiety was followed by the Citizens' Theatre in Glasgow and the Liverpool Repertory Theatre.
Epic theatreEpic theatre (episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way.
Stanislavski's systemStanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation"). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly.
ClownA clown is a person who performs comedy and arts in a state of open-mindedness using physical comedy, typically while wearing distinct makeup or costuming and reversing folkway-norms. The most ancient clowns have been found in the Fifth Dynasty of Egypt, around 2400 BC. Unlike court jesters, clowns have traditionally served a socio-religious and psychological role, and traditionally the roles of priest and clown have been held by the same persons.
Fringe theatreFringe theatre is theatre that is produced outside of the main theatre institutions, and that is often small-scale and non-traditional in style or subject matter. The term comes from the Edinburgh Festival Fringe. In London, the fringe are small-scale theatres, many of them located above pubs, and the equivalent to New York's Off-Off-Broadway theatres and Europe's "free theatre" groups.
Greek tragedyGreek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics.
PropA prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. The earliest known use of the term "properties" in English to refer to stage accessories is in the 1425 CE morality play, The Castle of Perseverance.
Hair (musical)Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s, and several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy.
