Infrasound, sometimes referred to as low frequency sound, describes sound waves with a frequency below the lower limit of human audibility (generally 20 Hz, as defined by the ANSI/ASA S1.1-2013 standard). Hearing becomes gradually less sensitive as frequency decreases, so for humans to perceive infrasound, the sound pressure must be sufficiently high. The ear is the primary organ for sensing low sound, but at higher intensities it is possible to feel infrasound vibrations in various parts of the body. The study of such sound waves is sometimes referred to as infrasonics, covering sounds beneath 20 Hz down to 0.1 Hz (and rarely to 0.001 Hz). People use this frequency range for monitoring earthquakes and volcanoes, charting rock and petroleum formations below the earth, and also in ballistocardiography and seismocardiography to study the mechanics of the heart. Infrasound is characterized by an ability to get around obstacles with little dissipation. In music, acoustic waveguide methods, such as a large pipe organ or, for reproduction, exotic loudspeaker designs such as transmission line, rotary woofer, or traditional subwoofer designs can produce low-frequency sounds, including near-infrasound. Subwoofers designed to produce infrasound are capable of sound reproduction an octave or more below that of most commercially available subwoofers, and are often about 10 times the size. The Allies of World War II first used infrasound to locate artillery. One of the pioneers in infrasonic research was French scientist Vladimir Gavreau. His interest in infrasonic waves first came about in 1957 in the large concrete building that he and his research team were working in. The group was experiencing bouts of periodic and deeply unpleasant nausea. After weeks of speculation on the source of the nausea — the team was convinced that it was a pathogen or an untraced leak of noxious chemical fumes in the facility — they discovered that a “loosely poised low speed motor... was developing [these] ‘nauseating vibrations’”.
Johan Alexandre Philippe Gaume, Ming Gao
Ivo Furno, Alan Howling, Hervé Lissek, Pénélope Leyland, Stanislav Sergeev, Gennady Plyushchev