KinetoscopeThe Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S.
Feature filmA feature film or feature-length film (often abbreviated to feature) is a narrative film (motion picture or "movie") with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. The term feature film originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinee programs, especially in the US and Canada, in general, also included cartoons, at least one weekly serial and, typically, a second feature-length film on weekends.
Bullet timeBullet time (also known as frozen moment, dead time, flow motion or time slice) is a visual effect or visual impression of detaching the time and space of a camera (or viewer) from that of its visible subject. It is a depth enhanced simulation of variable-speed action and performance found in films, broadcast advertisements, and realtime graphics within video games and other special media.
Movie starA movie star (also known as a film star or cinema star) is an actor or actress who is famous for their starring, or leading, roles in movies. The term is used for performers who are marketable stars as they become popular household names and whose names are used to promote movies, for example in trailers and posters. The most prominent movie stars are known in the industry as bankable stars. In the early days of silent movies, the names of the actors and actresses appearing in them were not publicized or credited because producers feared this would result in demands for higher salaries.
Film frameIn filmmaking, video production, animation, and related fields, a frame is one of the many s which compose the complete moving picture. The term is derived from the historical development of film stock, in which the sequentially recorded single images look like a framed picture when examined individually. The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.
3D film3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business.
Independent animationThe term independent animation refers to animated shorts and feature films produced outside a major national animation industry. A good portion of the work is viewed in animation festivals and private screen rooms along with schools that produce animation through instruction. The significance of independent animation is as important as studio fare. "Independent" initially implied amateurs and unknowns. However, following the implosion of the entertainment industry and mass layoffs of animators, "indie" now almost exclusively refers to industry veterans with connections producing content on their own time.
Classical Hollywood cinemaClassical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which first developed in the 1910s to 1920s during the latter years of the silent film era. It then became characteristic of American cinema during the Golden Age of Hollywood, between roughly 1927 (with the advent of sound film) to 1969. It eventually became the most powerful and pervasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity.
Drama (film and television)In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods.
Extra (acting)A background actor or extra is a performer in a film, television show, stage, musical, opera, or ballet production who appears in a nonspeaking or nonsinging (silent) capacity, usually in the background (for example, in an audience or busy street scene). War films and epic films often employ background actors in large numbers: some films have featured hundreds or even thousands of paid background actors as cast members (hence the term "cast of thousands"). Likewise, grand opera can involve many background actors appearing in spectacular productions.
